BY DANNY R. PHILLIPS
Manhattan, Kansas is not the first place one would conjure when thinking of rock and roll. It may not be Memphis, Seattle, New York or Los Angeles but it did give us Truck Stop Love.
Blending the textures of Bob Mould’s post- Husker Du project Sugar, the country punk swagger of Uncle Tupelo, the aggressiveness of “Sorry, Ma” era Replacements, KISS, Big Star, the pop sensibilities of The Lemonheads and the jangly goodness of Matthew Sweet, Truck Stop Love created a sound that was truly theirs, an amalgamation described as “pop thrash” on the band’s Facebook page, Truck Stop Love made a thunderous racket in the days when country music, coupled with a blistering wall of guitars and punk rock aggression , became a monster of a movement all its own: a giant named Alt-country.
Bands like Soul Asylum, the country fried fuzz rock of The Meat Puppets and the great Dinosaur Jr., the straight ahead rock n roll of fellow Midwesterners The Replacements or the booze soaked alternative country of Jason and the Scorchers, Truck Stop Love borrowed a little bit of these, a splash here, a dollop there, all coming together triumphantly with “Can’t Hear It: 1991-1994”, a collection of demos and unreleased tracks, recently released by Kansas City, Missouri based label Black Site Records.
Truck Stop Love (the band recently reformed to headline the yearly rock and roll weekend Lawrence Field Day Fest in Lawrence, Kansas), were a band that could hang with the big boys of the time, a foot stomping rock band from the middle of Kansas making music that, even today, twenty five years on, demands to be heard by those of us that miss the Holy Trinity: bass, Drums, guitar.
Re-mastered and produced by former Flaming Lips drummer Kliph Scurlock, Can’t Hear It: 1991-1994 shows a band at the height of its musical powers, standing among some of the best of the time and writing songs that sound as fresh today as they did when they were first recorded, some over two decades ago; the multiple guitar attack of “Townie,” rings true, making the song a hybrid creature of Springsteen, Son Volt, The Bottlerockets and The Descendents; singing the lament of small-town life, the boredom, the loneliness, of Saturday nights spent drunk in the high school parking lot, avoiding the sheriff (I speak from personal experience here). Truck Stop Love, to me were and are, accessible in a way that too many bands today sadly, will never be. Truck Stop Love grasped onto their roots, the influence of both the times in which they lived and from those of their youth. “Can’t Hear It’ is the sound of young guys, pissed at the world, making music, channeling what is around them into a thing to share with anyone who’ll take the time to listen, all while trying to clean out the bar. If that’s not punk rock, I don’t know what is.
Can’t Hear It chronicles a great band that should’ve made it to the top but, for some reason, didn’t. Do yourself a favor and re-discover Truck Stop Love with Can’t Hear It: 1991-1994, I’m glad I did.
DOWNLOAD: “Townie” “How I Spent my Summer Vacation” “River Mountain Love”