BY MICHAEL TOLAND
For rock fans, Robert Poss may be best remembered for the mighty guitar rock ensemble Band of Susans and, if they’re really crate diggers, BOS precursor Western Eyes. But the guitarist and composer has been a leading light in experimental music circles for decades, working with Rhys Chatham, Ben Neill, Phill Niblock and others. Though Frozen Flowers Curse the Day is only his fourth solo album, his long years of experience make it the work of a mature artist. Consisting of both instrumental and vocal songs, the record indulges in guitar sounds of all stripes: acoustic, electric, clean, distorted, lyrical, overdriven. But Poss never lets his fondness for textural variety overpower the sturdy melodies on which his tunes are built.
As a statement of intent, he begins the album with the shimmering jangle of the wordless “More Frozen Flowers” and follows it with the crunchy drone pop of “The Sixth Sense Betrayed.” “You’ll Curse the Day” and “I’ve Got a Secret List” get noisier than “Sixth Sense,” but remain just as catchy. Written for a dance piece, “Time Frames Marking Time” uses spacey arpeggios and layered feedback to subtly explore the nooks and crannies of a simple but accessible melody – one strong enough to work without the visuals meant to accompany it. The slide-driven “Sketch 72” sounds like a long-lost classic rock track, despite a lack of vox. Even distortion fests “Bitter Strings” and “The Test Pattern Setting” keep their grip on tunefulness, no matter how fuzzy and crackling they get.
Accessible and experimental, avant garde and rocking, Frozen Flowers Curse the Day is a new peak in a long and successful career.
DOWNLOAD: “Time Frames Marking Time,” “The Sixth Sense Betrayed,” “The Test Pattern Setting,”