Azure Ray – As Above So Below

January 01, 1970

(Saddle
Creek)

 

 www.saddle-creek.com

 

For
their new EP, Azure Ray wanted to take a different approach to their hazy pop.
So Orenda Fink and Maria Taylor, the dual Rays with the dreamy voices,
solicited the help of Fink’s husband Todd (of the electronica band the Faint)
and Andy LeMasters (who played with both women in Now It’s Overhead and has
toured in Bright Eyes). The resulting EP still bears a passing resemblance to
Azure Ray’s 2010 album Drawing Down the
Moon
, but the backgrounds are much more synth-heavy. While the last album
also featured a drum machine, the instrument’s beats sounds bigger this time,
like they’re being transmitted across the universe. It complements the
underlying melancholy tone or delivery of the lyrics,
which feature Fink and Taylor singing “There’s love everywhere/ there’s sadness
everywhere/ so I keep moving” in opener “Scattered Like Leaves.” The minimal
pulsing keyboards behind the drowsy harmonies might actually add to the tragic
feeling but the arrangement also makes the duo sound a little less idiosyncratic
this time out.

 

Sometimes
it’s easy to overlook a somewhat annoying loop. The disembodied “ahh” vocal
used in “Red Balloon” really retains the essence of a pop chorus amidst the
electronic backdrop. But the slowing-down synth bass line of “Unannounced”
sounds more like a hungry stomach, and simply gets in the way.  At 21 minutes, these six songs come off like
a moderately successful experiment, but an entire album might have been too
much of a challenge to sustain.

 

DOWNLOAD: “Red Balloon,” “The Heart
Has Its Reasons.” MIKE
SHANLEY

 

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