(Smalltown
Supersound)
Annie’s new effort, Don’t Stop, is an
album that you might want to like more than you actually do. The Norwegian
songstress became something of an indie-electro-pop sensation [and semi-official Pitchfork pet rock – Ed.]
on the strength of her debut, Anniemal,
a charmer built upon hooky production filled with recognizable nods to the
‘80s. Don’t Stop, while employing a
few nifty bells and whistles (like Franz Ferdinand’s Alex Kapranos playing
guitar on the track “My Love is Better”), suffers from a lack of energy and
innovation.
Annie’s hushed vocals sound best over a bouncing beat, as
they lack the strength to shine on their own. That wasn’t a problem in the past
on songs like “Heartbeat” and “Chewing Gum,” but tracks like the guitar-driven
“Bad Times” don’t do her justice, fading into the nebulous ether of mediocre
pop. The title track, on the other hand, is a perky bubble-tech vision of dance-floor
bliss, Annie singing down a chromatic scale about kisses before hitting it off
with a catchy chorus. “I Don’t Like Your Band” is another success, based on the
strength of Paul Epworth-produced electro beat.
There are more introspective moments peppered throughout,
such as “Marie Cherie,” a softly focused track that, according to the press
release, is about an abused girl who commits suicide. Serious subject matter
aside, these subdued interludes don’t hold a candle to the percussive tech-house
of a track like “Songs Remind Me of You.” But again, you have to give credit
where credit is due – it’s the production that elevates Annie’s relatively weak
vocals. But hey, if Madonna could do it, why can’t Annie?
Standout Tracks: “My
Love is Better,” “Songs Remind Me of You” JONAH FLICKER