Category Archives: Photo Gallery

Exclusive Video, Photos: Come 12/29/18, Brooklyn

Dates: December 29, 2018

Location: Union Pool, Brooklyn, NY

Live at Union Pool, the Brokaw-Zedek guitar summit continues to stun even after all these years. Below, watch the band do “Submerge.”

Video, Photos, & Text by Jonathan Levitt.

I was extremely lucky to have the chance to see Come play this last December here in NYC. I’ve been a fan since the mid 90s and never thought I’d have a chance to catch them live. Living in China for the past 20 years and the fact that they’d broken up kind of sealed the deal. But as fate would have it they reformed for two shows at Brooklyn’s Union Pool Club which is quite a cool place to catch a performance. The room was tiny and the lighting was awful, but the band played a killer set that veered through ground breaking LP Eleven Eleven, Don’t Ask Don’t Tell  as well as other songs from their canon. Chris Brokaw and Thalia Zedek both wring immense tragedy from their instruments. The combination of the two takes you to some incredibly dark places and is definitely not for the faint of heart. They were tight, bluesy and seemed immediately to hit their stride. I offer up to readers the song “Submerge” from the show.

I can only hope in the near future that this means more shows might be in the offing. It would be great to have them back in action.

 

 

 

 

 

 

King Tuff + Stonefield 1/15/19, Athens GA

Dates: January 15, 2019

Location: Georgia Theater, Athens, GA

The scene was the Georgia Theater, and the rock ‘n’ roll meme was kicking ass…

PHOTO GALLERY & TEXT BY jOHN BOYDSTON

King Tuff is on tour through February and you gotta look up the dates at this link (http://kingtuff.life/) and go – and I say that purely as fan who appreciates the work KT puts into his music and live shows.  As an artist Kyle Thomas has grown up, and never seems to have stopped working since we first heard his records in the earlier part of this decade.   I first heard “Bad Thing” on Sirius XM and Little Steven’s Underground Garage channel.   It’s a great starting point for his stuff – part hard T-Rex, part Joan Jett, part flat out balls to the wall garage rock.   Plus throw in some goofy moves and therein lies the fun and magic.   KT is touring in support of his latest release “The Other.”

Plus his band is Zoe Brecher on drums, Adrien Young on bass, and guitarist Nicole Lawrence- who, it has to be noted, adds a significant dimension to their live stuff, sometimes bringing a dual-guitar fuzz thrill ride.  The band rocks, and about every song feels like a showstopper.
***
Stonefield opened, an all-sister band from Australia, holy crap are they good.  They’d fit right in at the Austin Psych Fest if that was still a thing.  Maybe Levitation will have them later this year, the event that replaced APF.   Amy Lee, Hannah, Sarah, and Holly Findlay, a band you should know.   They have done a few shows with KT, but openers vary.  Boise fans get a double-bill treat with King Tuff and Broncho on the same bill, there ya go Idaho.

K. Michelle Dubois / Tigers and Monkeys: 12/8/18, Atlanta

Dates: December 8, 2018

Location: Star Bar, Atlanta GA

Live at the Star Bar, Atlanta, Ga, December 8th, 2018

TEXT & PHOTOS BY JOHN BOYDSTON

K. Michelle Dubois is an Atlanta singer-songwriter rocker and the first thing you should do, after reading the rest of this is check out her newest video for the song “Reckless Needs” (featuring Chris Lopez) here:

Rock fans of any certain age will dig the song and the clip, and hopefully become new Dubois fans.  Her show at Atlanta’s Star Community Bar was a powerhouse show rock with equal parts indie rock muscle and pop finesse,  with major support from openers Tigers and Monkeys, an indie NYC band led by former Atlanta by way of Nashville power rocker Shonali Bhowmik.  (KMD and Bhowmik were among the brains and beauty behind Ultrababyfat,  the center of Atlanta’s power pop universe in the mid-to-late 90’s, but that’s not important now. It probably is important but I’m just the photographer, so footnote it.)

***

Tigers & Monkeys are touring behind their 3rd LP release “Saturday Destroyer.”   Check all their stuff at http://tigersandmonkeys.com/

****
K. Michelle Dubois delivered an equally compelling and at times blistering set of new and older songs.  A crack band behind her, including guitarist D Dixon, who is  as good as it gets, maybe better.  The band is planning another show next spring to support the upcoming LP “Harness” which you can check out in streaming form here:  https://www.kmichelledubois.com/home
Follow John on Instagram @johnboydstonphoto

JD McPhearson / Eddie Angel’s Guitar Party: 12/9/18, Atlanta

Dates: December 9, 2018

Location: Terminal West, Atlanta GA

Live at Terminal West, Atlanta, Ga, December 9th, 2018

 

Text & Photos by John Boydston

 

JD McPhearson has been touring behind his new LP of all-holiday songs.  All-holiday record?  That’s a good idea?  Yes, if you are JD McPhearson and his crack band of Wrecking Crew A-list players.  So the songs are great, and the record an instant classic.  It’s called “Socks” and its out now on New West Records.   Rolling Stone says he’s blown up the concept of Christmas records  by doing “no jingle bells, no cover songs, and no schmaltz.”   Check out one of the new retro tunes here:

It was JD’s 2nd show in Atlanta in a year, both at the great Terminal West.  And the place was packed despite it being a cold, dreary, rainy, December Sunday night.   McPhearson is popular in these parts and his fans don’t just like him, they love him.   JD sings and plays guitar, his band is Raynier Jacob Jacildo, Jimmy Sutton, Jason Smay, and Doug Corcoran.
***

Opening for JD was his Nashville buddy Eddie Angel’s Guitar Party.  You know Eddie as the one of the guitar slingers behind the masks with Los Straitjackets.  He did some of that band’s well-branded Christmas instrumental surf rock renditions of holiday classics, and LS standards like “Pacifica” and “Close to Champaign.”   He stepped up to sing even.  And yes, he can play the guitar like wringing a chicken’s neck.  #chickenpickin.   They were down a player who got stuck in a North Carolina snowstorm, so the 2nd Guitar Party guitarist – who graduates from high school this year – took over bass-playing duties and did a great job.   (Eddie must be trying to skew down the average age of the band, but good is good.)

 

Follow John on Instagram @johnboydstonphoto

 

KALAMASHOEGAZER FESTIVAL 11/10/18, Kalamazoo, MI

The eclectic, eccentric multi-band event was held, appropriately enough, at Bell’s Eccentric Café. Pictured above: Springhouse.

TEXT & PHOTOS BY TIM HINELY

I had never been to Kalamazoo before. Heck, I had never been to Michigan before but a one-day music festival with 8 bands seemed as good as any to make the flight and visit the Wolverine State (or whatever the heck it is). April and her small group of dedicated music fans (April Zimont is/was in the fab band Glowfriends and now the same folks have a new band called Tambourina which played on this very night) have been putting the festival on since 2006 and do a damn good job of running it. It ran like clockwork and everyone had a good time (no frowns) and at tix at $15 it was a steal (they could/should have charged twice that much).

My old friends Tears Run Rings were on the bill, as was Jack Rabid’s NYC band Springhouse (you know Jack from his long-running, legendary mag The Big Takeover) so yeah, I pretty much had to go.

The weather was cold and snowy, but Bell’s Eccentric Café was warm, cozy and inviting and seemed a popular place for both locals and folks like me coming in to see the festival. The bands played in a nice sized room that has touring bands as well (Anna Burch was playing the next night). There was also a bar in the back, food service (tasty grub!) and they even had a small balcony upstairs (where I caught part of the show from).

Up first was Milwaukee’s Brief Candles (above) who I’d heard some tunes before but not a lot and they were perfect openers, getting the crowd lubed up.  They’ve been around for a looong time and have a classic shoegaze sound (big hooks). Check out their Bandcamp page sometime.

Seashine took the stage next and they were a quartet from St. Louis (Demi, Paul, Seth and Kate) with a real positively dreamy sound that was real easy to like. I’m gonna look for some of their stuff (only some tunes on Soundcloud from what I’ve seen).

Kalamazoo’s own Tambourina was up next and kicked the tempo up a bit while vocalist April bounced all over the stage (not sure where she gets her energy from). I really enjoyed their soaring set that really had the crowd bouncing.

Though I’ve been a fan of Tears Run Rings for ages I had never seen them play live and they did not disappoint. Playing a few cuts off their new EP (Somewhere) as well as a healthy dose of tunes from their entire catalog. They really had the crowd swaying and hypnotized.

Sacramento’s Soft Science (Test Pattern Records) had a few equipment problems but once those got sorted out (Katie’s vocals were hard to hear at the beginning) that didn’t stop them from putting on a terrific set, mostly of cuts off their righteous, recently-released LP,  Maps. Well worth your time.

Chicago’s Airiel, a trio with a handful of records out on Shelflife (and a bevy of fx pedals) brought in a bit of a heavier sound and had the crowd eating out of their hand.

Springhouse came armed with some merch and a seriously good set. Now a quartet with the addition of Dave Burokas on 2nd guitar (Dave was the editor of old killer NJ zine Sporadic Droolings….fun fact: he gave DAGGER my first ever review!). We heard “Eskimo,” “Land Falls” and plenty more old faves and drummer  Jack Rabid has not lost a step on his drum kit).

Texas trio Ringo Deathstarr showed up a little later but the packed house were ready and they did not disappoint either.  I don’t believe they’ve released a record since 2015’s Pure Mood, but they dug deep into their grab bag of songs and killed it. Adding some fun and humor whilst chatting with the crowd and totally delivering until the wee hours.

***

It all ended about 1:00 AM and I had an early flight so I had to say a few quick goodbyes and cut out but it was well worth it. Great bands, nice people, a well run mini-festival all around…not much more you could ask for, really.  I will be back one day. …thank you Kalamashoegazer, you know how to put on a festival!

BRONCHO – 11/2/18 Nashville & 12-8-18 Atlanta

Twice the rocking’ and twice the fun!

TEXT & PHOTOS BY JOHN BOYDSTON

The band Broncho is currently on tour promoting their latest LP “Bad Behavior” and I was lucky enough to catch two recent club shows with the band of artsy upstart rockers.

Nashville, TN
Basement East
November 2nd, 2018

Broncho’s music and stage show can be moody, dark, strangely upbeat, usually melodic, and always catchy.  For all the dark atmospheric stage lighting, they do bring the hooks, bounce, and beat.

Atlanta, Ga
Masquerade
December 8th, 2018

 

Broncho is front guy Ryan Lindsey, Nathan Price, Ben King, and Penny Pitchlynn on bass and who usually catches the best light, hence her prominence in these photos.  The band calls Norman, OK home and why not?  The new LP “Bad Behavior” is garnering great reviews, and said to be more pop than previous records, and that can’t hurt anything since the band’s signature mood, quirks, and scrappy rock are all still there.  I considered their 2015 release “Just Enough Hip to Be a Woman” to be on the pop-side so what do I know?  My favorite from that release ‘Class Historian’ is a modern classic.  Look up those videos, songs, as well as current and future tour dates here:  http://broncho.tv/

Check out more of John’s work on Instagram: @johnboydstonphoto

Billy Idol 9/28/18, Nashville

Dates: Billy Idol

Location: Carl Black Chevy Woods Amphitheater at Fontanel, Nashville TN

A rebel yell was heard echoing through the Carl Black Chevy Woods Amphitheater at Fontanel in Music City USA.

Text & Photos by Mark Jackson

Billy Idol has been out touring and sounding as great as ever with the release of  his remix collection Vital Idol: Revitalized. It has fifteen tracks remixed by such artist as Moby, Crystal Method, Paul Oakenfold, and others.

On the same day as the release Billy preformed at the Carl Black Chevy Woods Amphitheater at Fontanel in Nashville, TN, to an ecstatic fan base. Billy and the boys put on a hell of a show that kept the fans on their feet all night while dancing, singing, and jumping. Billy was looking and sounding as sharp as he did in the ‘80s, and Steve Stevens was still up to his old tricks, playing the guitar behind his head and with his teeth without missing a chord.

If Billy F**king Idol comes to your town, make sure you grab a ticket, give a “Rebel Yell” and sing along all night to his ageless hits…

Visit our ace photographer Mark Jackson: @MarkJacksonPhotography1

 

A ROTTEN PROPOSITION: Public Image Ltd. Live in Atlanta

At Atlanta’s Variety Playhouse on October 10, The Artist Formerly Known As Johnny Rotten brought his PiL.2018 to his Peach State fans, some of whom were no doubt on hand all those years ago when a certain British punk band made its American debut….

PHOTOS AND TEXT BY JOHN BOYDSTON

John Lydon and Public Image Ltd. are in high gear with “The Public Image is Rotten North American” tour, and in damn fine form if their 2nd stop – in Atlanta, Ga – is any indication.   Shows are selling out, and this one looked to be as well.  Check out upcoming PiL shows and dates here:  http://www.pilofficial.com/shows.html

The band is celebrating its 40 years of music with a world tour, a career-spanning CD & Vinyl box set release “The Public Image is Rotten,” and a new doc by the same name.  Current PiL lineup is Lydon, Lu Edmonds (guitar), Scott Firth (bass) and Bruce Smith (drums).

The former Johnny Rotten formed PiL in 1979 immediately following the demise of The Sex Pistols, going for a more ‘anti-rock’ avant-garde thing.  He’s been the only constant member of a band delivering 10-studio LPs over the years.   As lineups evolved, so has the music, crunching about any genre you can name into a unique and original meld.   Lydon is 62, older and ever-the-wiser.  PiL’s music still vital and relevant.  And you gotta go.

(And if you’re looking at these photos, I don’t know what the trash can is doing on stage.)

 

Follow John Boydston on Instagram – @johnboydstonphotos

 

LIFE’S A RIOT WITH… Riot Fest 2018!

Douglas Park in Chicago was the scene of the crime, and September 14-16 marked the time, featuring icons like Weezer, Beck, Run the Jewels, Liz Phair, Jerry Lee Lewis, and the recently-poisoned Pussy Riot. (Photo gallery follows the commentary, below.)

PHOTOS AND TEXT BY ERICA BRUCE

For BLURT, mid-September in Chicago instinctively means “three days of Riot Fest in Douglas Park.” The masses were a little concerned this year that it may not happen, but, like many of the punk bands it hosts, Riot Fest has long proven itself scrappy, and scrappy doesn’t go down for the count lightly. The loss of one headliner, Blink-182, brought two other bands, Run the Jewels and Weezer, in their place. Seminal bands played seminal records in full, icons proved why they are icons, and men in kilts were the hottest fashion statement. As Hurricane Florence was throwing her mighty rain against the east coast, BLURT decided to see what was going on in the mid-west.

 

-Icon Who Never Ages -Liz Phair

When Liz Phair’s record “Exile in Guyville” came out in 1993, many of the Seattle women were moving the needle on feminism by sporting kinderwhore and being brash. But Liz Phair has always been the nerdy girl’s Riot Grrl.  Her records said all the things the wallflower female with a feminist streak thought but felt she could never say about sex and relationships, and how it feels to be a woman in a male-dominated business like music and the world in general. She made lots of women feel 6’1 instead of 5’2 then, and, based on her Friday performance and the faces of the 20-somethings in the audience, she inspired a whole new generation to feel the same. Fairly convinced she is the female Dorian Grey as well as she never seems to age.

-Band Who Walks the Walk-Pussy Riot

There are those who proclaim themselves punk and then there’s Pussy Riot. Members of the protest punk collective have endured lengthy prison sentences for “hooliganism” in their native Russia, physical abuse, and more recently, the poisoning of its member Peter Verzilov. And yet DEFIANTLY, THANKFULLY, they endure….

Nadya Tolokonnikova, flanked with a DJ and a cadre of neon green ski cap associates, spoke out against corruption and Trump/Putin similarities. They taught via a pre-recorded 25+ set of facts about inequality and issues across the world. They even inspired a young woman against the rail to find her voice and loudly scream, ‘Listen to the message!” over and over to a tone-deaf dude being inappropriate, to which others followed. Pussy Riot is a living breathing embodiment of trying to make the world a better place. “Poisonings and assassinations will not stop us,” said Tolokonnikova from the stage.  BELIEVE IT.

-Band with the Best Props: The Aquabats

MC Bat Commander of The Aquabats coined them the “world’s most mighty almost super heroes.” Considering they were wearing long sleeve tunics and masks in the sun, they are also the bravest. Thankfully the mutant land sharks that caught them off-guard that time at the beach were made into wonderfully fun inflatables that bounced throughout the crowd. Fun fact: Blink-182’s drummer Travis Barker was an Aquabat in the late 90s!

-Band with the Positive Message: Digable Planets

Seminal records/bands from 1993 seemed to be a theme at Riot Fest this year, so what better act to include than Digable Planets covering Reachin’ (A New Refutation of Time and Space)? in full. The light, Consciousness, and melodious positivity that began in 1988 when De La Soul introduced us to the D.A.I.S.Y. age (Da Inner Sound, Y’all) impacted itself heavily into the Planets sound and lyrics with a message. It’s hard to be positive about much these days, but if you listen hard, you can still hear Reachin’s sweet-sounding impact in people like Kendrick Lamar, it’s just said a bit more staccato.

-Best Celtic Punk Mix: Flogging Molly

There’s punk and then there’s Celtic punk, and the latter can always make an accordion and a fiddle sound tougher than any Minor Threat cover band. That’s Flogging Molly. “I just came back from a European tour and it’s nice to be  back where people can understand what the fook I’m saying. Course what I’m saying most of the time is shite,” joked lead singer Dave King.

-Band with the Darkest Lighting: Tie-Cypress Hill, Dropkick Murphys

However, someone with Cypress Hill was holding the cutest bulldog side stage, so they get a pass.

-Most Covers in One Set-Weezer

Rivers Cuomo continues to hit all the high notes and never age. As night 1 headliners, Weezer piled the big hits up in the front half of the set (“Buddy Holly,” “Hash Pipe,” etc.), and mixed in a few covers (“Take On Me” by a-ha, “Happy Together” by The Turtles, “Paranoid” by Black Sabbath). They even did a nod to the had-to-cancel Blink-182 and covered “All the Small Things.” And yes, they closed with everyone’s current favorite version of that song about rain in a foreign continent.

Other notes from things seen on Friday:

-The Front Bottoms: Full of fiddle, acoustic rhythm, and earnest lyrics about delusional love and something about a sleeping bag. Seems tween girls also love lead singers who earnestly look like Jimmy Eat World’s Jim Adkins these days.

-K.Flay: Did a cover of “Flagpole Sitta” by Harvey Danger. And a guy named David proposed to a woman named Mandy onstage.

-Young the Giant: Lead singer Sameer Gadhia’s big voice is a good fit for their big athematic arena songs. That’s all I can say about them.

-Bleachers: The band really wants to sound like Springsteen but seems more like John Cafferty & The Beaver Brown Band with a synthesizer during their cover of “Just Can’t Get Enough” by Depeche Mode.

Saturday:

Day 2 was all about an old school tour through most 20th century music genres. We also started keeping track of all the covers being played a little more closely.

-Most Inspired Stage Costume: Gary Numan

Dressed like Alexander McQueen-inspired mummies coming for your hair gel and eyeliner, Gary Numan still obviously really enjoys what he does, and man, he does it so well. It was great to watch all the kids who weren’t born in the 80s clearly enjoying his set. His synth impact is still so relevant that Trent Reznor should pay him royalties.

-Best Voice to Melt a Heart: Cat Power

This show was the first of the world tour for Chan Marshall’s new record, Wanderer, the first in six years. The set was having a few technical issues at the start, but once it was figured out, that voice, so smoky and lovely and emotive was let loose. It’s nice on record, but live? Otherworldly.

-Best Drummer: Wolfmother

With songs about gypsies and women and guitars that go up to 11, Wolfmother is a modern-day nod to 70s cock rock. There are a lot of comparisons to Led Zeppelin music-wise, which you can agree or disagree with. But it’s fair to say if Zeppelin reunites again, they should consider Wolfmother drummer Hamish Rosser; Bonzo would be impressed.

-Most Original T-Shirt: The Voidz

The Voidz went on 10 minutes late, and for once, lead singer Julian Casablancas was without sunglasses on stage. But he looked healthy and sounded great, and is even getting a little dancey in his older age. Not many can rock a stock car pit crew button up from a guy named Steve, but if anyone can, it’s Casablancas.

-Best Health Recovery: Elvis Costello and the Imposters

It was a pure joy to see Elvis Costello back and in prime form just months after cancelling tour dates to recover from cancer treatment. The Riot Fest set was his first show post-surgery, and he told the audience, “I’m fine, thanks!” Sporting shades like those of the other Elvis during his Vegas period, Costello, the post-punk king before post-punk was a term, was a highlight of the weekend.

-Most Diverse Crowd: Jerry Lee Lewis

Along the rail for Jerry Lee Lewis’ set, the audience was like a microcosm of America: young, old, women, men, black, white, green (well hair was green), probably the most diverse audience we saw all weekend, which makes sense as who doesn’t want to see a living legend? While his backing band, composed of Kenny Lovelace, Ray Gann, and Kenny Aronoff, kicked off the set with four cover songs, an honest to God mosh pit started a few rows back. But once Lewis finally hit the stage, using a cane and wearing a purple sparkly jacket, white dress shirt, jeans, it was all eyes front. At 82, The Killer isn’t kicking back piano stools any longer, or setting the keys literally on fire, but playing like a house on fire? That he still does.

-Most Moon by the Light of the Moon: Jesus Lizard

“I fucking hate playing festivals,” said Jesus Lizard lead singer David Yow, “but they are paying us 250 million!” The band threw all of its noise and punk and thrash to a delighted crowd, as Yow gave the crowd the finger, made a heart sign, pulled up his shirt then unzipped his pants and mooned the crowd. He then jumped into the audience, literally singing upside down at points.

More cover songs and snippets from Day 2: The Frights (Prince of Bel Air theme song, “No Scrubs” by TLC, “It Wasn’t Me” by Shaggy); Beck (“Miss You” by the Rolling Stones, “Cars” by (and with appearance by) Gary Numan; Jerry Lee Lewis band (“You Are My Sunshine” by Ray Charles, “Blue Suede Shoes” by Elvis Presley)

Sunday:

A day heavy on east coast bands playing great, probably really glad to be away from the rain.

-Most Songs in Shortest Set: Beach Rats

Day 3 was kicked off with D.C. punk via the NJ shore in the form of Beach Rats. A super punk group of sorts, the band is composed of members from the Bouncing Souls, Lifetime, and Minor Threat/Dag Nasty. And like traditional D.C. punk songs, the 15-minute set included 4576 songs and bass lines you felt in your chest. Good stuff.

-Most Hated by Feminists: Fear

Fear played their seminal 1982 album “The Record” in full Sunday afternoon and lead singer Lee Ving shared quite a few thoughts from the Rise stage. He spoke of old Chicago friends (“We love you guys. John Belushi RIP, brought us to Chicago and it’s been our home ever since”) and politics (“Fuck you Boris Putin (sic). Just kidding he’s probably a cool guy once you get to know him”). He also introduced the song “Honor and Obey,” as a love song. Let’s just say with lyrics like “Get up and make my fucking breakfast you lazy bitch/Yeah, you’re my wife now, don’t start whining and giving me shit,” it’s good they didn’t play before or after Pussy Riot, or someone’s ass may have been kicked.

-Coolest of the Cool: Johnny Marr

It doesn’t get much cooler than Johnny Marr, and live, it’s even better. The set was an even keel of songs from his new record, “Call The Comet” and some from The Smiths, oftentimes sounding better vocally than Morrissey himself (sorry Mozzer). In terms of scale, Nick Lowe is Jesus of the Cool, Paul Weller is the Godfather, but Marr is the only Johnny Fuckin Marr.

-Band Who Inspires Most Happiness: The Bouncing Souls

“It’s a beautiful day here, and we’re alive!” said Bouncing Souls lead singer Greg Attonito. The crowd took it to heart, and the positivity resulted in a raucous sing along to “Lean On Sheena.” The Souls live is truly pure joy wrapped around three guitar chords; it’s just simply impossible to feel anything else. Got to be something in that NJ shore air from which they hail.

-Best Sharer of Influences: Clutch

Go-Go music isn’t really well known outside of the D.C./MD/VA area, so local bands when touring seem to want to spread the word. MD-natives Clutch gave the Sunday afternoon crowd a taste with the walk-out music of “We Need Some Money” by Chuck Brown & the Soul Searchers, and then their song, “D.C. Sound Attack!” complete with its Go-Go beats. If you were there and suddenly feel this intense desire to yell “Wind me up Chuck!” or drum on plastic buckets, don’t worry, Clutch was successful, you were bit by bug that is Go-Go.

-Most Civic Minded: Superchunk

Given the mess Hurricane Florence was unleashing on NC over the weekend, probably the happiest east coast band to be playing in the sun on Sunday was the NC-based Superchunk. They remain a well-oiled machine live, regardless of how long they go between live shows. Tracks off the new record, “What a Time to Be Alive,” especially the title track, are catchy as hell, as well as political, not the usual move for them. So when lead singer Mac McCaughan said, “Don’t forget to vote,” you knew he meant it.

Also saw: Blondie, Bad Religion, a cute dog and a pot-belly pig!

For full sets of photos from all three days, go see the photo album here!

And special thanks to Heather West, Western Publicity, for all of her help! (Amen! Heather, you rock! – Ed.)

********************

PHOTOS: DAY 1 (FRIDAY)

Dropkick Murphys

Flogging Molly

Liz Phair

Pussy Riot

Weezer

Young the Giant

Aquabats

Cypress Hill


Digable Planets

Dropkick Murphys

 

DAY 2 (SATURDAY)

Gary Numan

Jesus Lizard

Jerry Lee Lewis

The Voidz

Wolfmother

Cat Power

Elvis Costello

 

DAY 3 (SUNDAY)

Bouncing Souls

Clutch

Fear

Johnny Marr

Blondie

Superchunk