Category Archives: Concerts

PLOWING FORWARD IN 2020: Love Tractor

Next weekend, January 17 & 18, it’s gonna be an Athens-Georgia sonic love fest, featuring  the Tractor gang (above, wayyyyy back in the day) plus OH-OK and Magnapop. If those names don’t resonate with ya, you have clearly found the wrong music website.

TEXT & PHOTOS BY JOHN BOYDSTON

There hasn’t been much good news ushering in 2020, far from it.   But in the spirit of finding joy where it resides – here’s something fab for Love Tractor fans.  The new year is bringing not only just better sounding Love Tractor recordings, but new music too.    And to celebrate, the band is playing two shows – Friday Jan 17th at the 40-Watt Club in Athens with OH-OK opening, and Saturday January 18th in Atlanta with Magnapop opening that show.

I reached out to Love Tractor guitarists Mark Cline and Mike Richmond to preview the shows and releases – not to mention to add some crucial, and resonant, context to this beloved Georgia outfit’s colorful legacy.

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Love Tractor is back from a long breather (pictured above is guitarist Mark Cline) doing live shows, restoring their back catalogue for new vinyl and digital re-release. And if that’s not enough for fans, get ready for new music from the band as early as this spring. (Below: guitarist Mike Richmond)

BLURT: Tell me about the upcoming re-issue of the first Love Tractor LP, originally released in 1982:

Mark Cline:  We just finished reconstructing the album as the ¼” masters were a mess.  Tracks were missing or corrupted so it forced us to go back to the 2-inch 16-track masters and remix the entire album. The record sounds great. Dave Barbe and Bill Berry chaperoned the remixing process, and Jeff Calder (from the Swimming Pool Q’s) was key in locating the tapes and having them digitized.

We tried our hardest to remain true to the original Bruce Baxter mixes, but the 1st remixed record has a lot more power to it.  Someone in the studio, perhaps Bill (Berry) said when listening back to the remix that “it’s like cotton has been taken out of my ears.”

Mike Richmond:    Mark, Army (Armistead Wellford, pictured below), and I were joined by Doug Stanley, Kevin Dunn, Bill Berry, and Mike Mills in the studio for this.  It came out really nice and we were able to make slight improvements while staying true to the original.  I think the plan is to re-issue record one in April of 2020 and then follow up with Around the Bend, Til The Cows Come Home EP, This Ain’t No Outerspace Ship, Themes From Venus, and The Sky at Night.  We also have a recording of new material in the works.

Mark Cline:  We did three additional enhanced mixes for Record Store Day.  We have new material which we have started recording so those songs will be coming out as digital singles in-between the rereleases. At least that is the plan as of today, might change tomorrow.

Part of the beauty of Love Tractor music is how melodic and simple it sounds – but I know it is very complex from a player’s point of view.  How do you get ready for these live shows, since you aren’t doing many per year at this point?  

Mike Richmond:  Love Tractor songs are deceptively difficult to play.  I have to really stay on top of it by rehearsing several times a week.  We live in different states (Georgia, Virginia, New York) so it is not easy for us to rehearse or perform. We all have to do this on our own and then a few days before we perform, we get together as a whole unit and go through the songs.

Mark Cline:  For me, more than the other guys, when performing, I’m shocked at the level of precision the songs require and how many of my parts are quite difficult to play.

So, the music is dense, and you’ve added players for live shows – tell me about that.

Mark Cline:  The auxiliary players in some cases are for large shows, so we can perform the albums as they were recorded.  Love Tractor has been since 1986 a 5 piece band, Doug Stanley from The Glands was officially inducted into the band in the ’90’s, Doug is a brilliant musician, he is absolutely on the same wave-length as me, Mike and Army and in my opinion he really shaped the sound of The Sky at Night.   Joe Rowe is an amazing drummer (also PRS’ new beat man). For the really big shows, if they are available, we like to add the Late B P Helium (Elephant Six Collective) and Jay Gonzalez (Drive by Truckers) and Kevin Dunn from the great seminal Atlanta band The Fans— it fills out the sound. The decision is artistic.

Right now, we are playing as a five piece, but one never knows who will be joining us on stage.   (Ed. note, if you want to catch original Love Tractor drummer Bill Berry with the band, he’s prone to get up on stage at the Athens shows – visual evidence in below 2017 photo, below, where he’s pictured on the left – but you never know.)

Mike Richmond:  Initially we had everyone that played in the WE LOVE TRACTOR tribute band.  Jay Gonzalez (Drive by Truckers), Bryan Poole (Of Montreal), Doug Stanley (Glands), Joe Rowe (Glands), and then we added our long-time friends Kevin Dunn (The Fans), and Bill Berry (REM).  It was great playing with all those guys on-stage.   Nowadays the performing band is Army Wellford, Mark Cline, myself, Doug Stanley, Joe Rowe on drums.  I have nothing but fondness for all the people that have played with Love Tractor.

What surprises you most about playing these songs live again?

Mike Richmond:   It is pleasantly surprising that I never get tired of these songs.  That don’t seem dated to me but evergreen.

Mark Cline:  How fresh and timeless they sound – in some cases I realize what influenced a particular song (“Paint Your Face” and “Stand in a Corner” — in my opinion, which was influenced by Neu!).

What can fans expect from these two upcoming shows in Athens and Atlanta?

Mark Cline:  We have been attempting to perform the albums in chronological order. Thus, the first few shows were exclusively our first album, then we added material from the second album and the EP.  These next two shows we will begin performing a few songs from This Ain’t No Outerspace Ship, Themes From Venus and The Sky at Night.

I’ve heard of people flying in from different parts to catch a show, and for my part, I met a fan who drove from New Jersey.  Any surprise there for the band about fan loyalty?

Mike Richmond:  I was almost entirely unaware of what fans would think of us now or if we would even have any fans at all.  So the response has been great.  With the rise of social media, I get a sense that people are very receptive to the idea of seeing LT live, some of whom were too young to see us in the ’80s.  It could literally feed the band in the sense that we could release new material or tour.  That almost depends solely on fan support.

Mark Cline:    The response has been great!  We really want to give a great performance, it is also interesting for us as artists to revisit certain songs.   Now of course they want us to tour, but we don’t have an “organization” (managers, agents, office) in place to really make touring happen.  So right now, we are limited to where and when we can play.

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All the new music and reissues will have a new home – Happy Happy Birthday to Me Records or HHBTM.  Check out its home and impressive roster here:  https://www.hhbtm.com/bands/

 

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So, fans – now’s your chance with two shows coming up:   

1) Friday January 17th, 2020 Love Tractor, at the 40Watt Club in Athens, GA.   It’s a co-bill with OH-OK playing first, featuring original members Lynda Stipe and Linda Hopper, a band who got their big break when R.E.M., the band her brother happened to be lead singer for, needed an opening band in a pinch.  (One of those Wiki factoids so good I don’t care if it’s true.) Playing with a full band tonight so the rock starts early.

2) Next show is the next night in Atlanta, at The Vista Room, Saturday January 18th, 2020, with co-billed Magnapop opening. Also featuring Linda Hopper on vocals, there’s Ruthie Morris on guitar, Shannon Mulvaney bass, and David McNair on drums.  Magnapop doesn’t fuck around so get there early, don’t miss ‘em – and you are welcome!

Ye Olde Editor Side Note: a legendary party – statutory restrictions prevent me from detailed disclosure –  in Chapel Hill that had brought R.E.M. and a bunch of their pals to the NC college town on the group’s initial non-Georgia mini-tour. That entourage included the lovely Ms. Hopper, who confided to aforementioned editor that she had a band percolating herself. That prediction came true. They were a delightful combo. She’s pictured more recently below in John Boydston’s photos of Magnapop from not all that long ago.

 

 

Levitation Festival 11/7-10/19, Austin

Dates: November 7-10, 2019

Location: Various Venues, Austin TX

 

The quintessential Lone Star State gathering of the tribes, natch, at multiple venues over the course of  November 7 thru 10. (Note: If you don’t recognize any given artist, hover mouse over a photo in order to read which band you are seeing.)

PHOTOS AND TEXT BY JOHN BOYDSTON

We know that Austin, Texas, is the music mecca, especially when it comes to festivals.   Levitation takes it up a notch by bringing in the best in Underground music and artists from around the known universe.   For four nights every year it goes into a hyper-space-warp frenzy bringing some of the best and brightest happening Psych, Metal, and Dream Pop music under one tent, or several clubs anyway.  It’s like a slice of SXSW but no filler, not that much walking, and you can actually get into venues.

Levitation happens in several venues with Stubb’s (which doubles as a fab BBQ joint) as the focal point featuring the closest things you get to headliners at this 4-day party.  Blurt Contributor John Boydston tried to cover as much ground as possible getting to all the acts, but realized early on it was a 4-person job, so this is what he got, some of the best, but of course, by no means all of it.

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Thursday at Stubb’s the lineup was Vagabon, Devendra Banhart, and ready for her David Lynch Twin-Peaks soundtrack closeup, Angel Olsen.  All performers and crowd were braving a chilly temperature drop but soldiered on and got lost in the electric dreamscapes created by all of the above.  I caught a few bands down the street at Mohawk which was reveling in the glory of Texas metal warriors Creeping Death (Denton) and Power Trip (Dallas) among others. 

 

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Friday night Stubb’s was alive with the magical psych-rock of Mercury Rev and The Flaming Lips.   Not sure if Rev is short for revelry or revelation but both work for me after hearing this power house psych band lay it down.  Then the Flaming Lips killed the crowd with kindness, love, and confetti.  Just wow – and master Lip Wayne Coyne said it all with this blow-up ballon spelling it out for us. 

 

 

 

 

But wait, Friday was just starting after that show – I hauled my wagon of photo gear into other venues and heard one dynamite band after another any one of which you can see in Austin at these venues, but not likely on the same night, same bill.    I caught part of Stonefield’s power set, featuring the 4 psych rock sisters from an area of rural Australia known as Macedon Ranges.  Then over to The Barracuda and for the rest of the night heard in rapid succession Frankie and the Witch Fingers,  Elephant Stone (from Toronto and truly an East meets West rock experience), Death Valley Girls (always fantastic), Crocodiles (new to me but rocked like no band I’ve seen in years – must hear more), and Broncho ended this amazing night doing what they do but better, tighter, and more up than I’ve ever heard ‘em).

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Saturday started mid-afternoon with Habibi – (NYC) bringing their internationally-inspired surfy 60’s girl pop to The Empire.  Then White Fence from SF.  Led by Tim Presley, a brilliant and underrated writer-singer-guitar picker who I can’t pin down exactly but think Ray Davies meets Piper at The Gates of Dawn.  Or The Kinks if Syd Barret was Dave Davies older bro.   And caught The Allah-Las who are currently touring, and have managed to seriously beef-up their stage sound without changing anything you may already love about this band, which is remarkable.

Not content with this fun, headed to Stubb’s Saturday night see openers and Waco psych kids Holy Wave, Levitation Festival curators and Austin’s own The Black Angels, who for my money have never sounded more up and alive in their not funhouse mirror takes on life.   A really dynamic and electrifying show for this band – and they would have carried the night had John Cale and his band not come out and taken it back.   Not sure what else you can say about Cale and his rock pedigree.  Being a founding member of The Velvet Underground would suffice but his 50-year career since is equally impressive.  Wasn’t expecting this 77-year old rock icon to come out and slay but he and his crack band did just that.   Thanks for having him, and me Levitation.  If you’ve outgrown SXSW and ACL is too crowded, save some dates on the calendar for this one – Fall 2020. 

 

 

Pete Yorn + Wilderado 12/2/19, Atlanta

Dates: December 2, 2019

Location: Variety Playhouse, Atlanta GA

Live at the storied Variety Playhouse, natch.

PHOTOS AND TEXT BY JOHN BOYDSTON
Pete Yorn is timeless and still making new music, which is a good thing, since what the world needs now is a whole lot more of this singer-songwriter’s empathy, compassion, and sincerity.  Not to mention his unique musical hooks and sound.
Yorn’s been touring most of 2019 in support of his 7th LP, Caretakers.  This tour included solo outings, and last couple of months with a band, wisely grabbing indie-dream pop band Day Wave, and it’s a nice fit. Fantastic show, reminded me why I loved Pete first time I heard him, going back to his breakthrough debut LP musicforthemorningafter in 2001.
Check out the last few tour dates  and all things Pete Yorn here:  http://www.peteyorn.com/
Opening band was Wilderado, rockers who’ve been on the road most of 2019 and their hard work is paying off.   They had a huge mid-day crowd in May at Atlanta’s Shaky Knees, and clearly won over the portion of tonight’s crowd that wasn’t already familiar.
From Tulsa, OK, Wilderado is Max Rainer (guitar/vocals), Justin Kila (drums), Tyler Wimpee (guitar), Colton Dearing (bass).  I can hear their stuff crossing genres, from Americana pop – to indie pop rock – and even modern country pop (but with smart lyrics and no schtick.)  They key word here being pop, which is short for popular so check out their music, schedule, and all things Wilderado here:  http://wilderado.co/
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Join John on Instagram @johnboydstonphoto – and now on Facebook at https://www.facebook.com/JohnBoydstonPhotography/.  He takes requests.

 

Slayer 11/9/19, Madison Square Garden NYC

Dates: November 9, 2019

Location: Madison Square Garden, New York City

TEXT & PHOTOS BY GREG KELLY

The crowd quickly filled in the 20,789 seated MSG and the night began to take shape.

Opening the show was Phil Anselmo and nd The Illegals. Going through a short set of Pantera songs it was clear that the bands songs are still relevant 30 plus years later. Next was Ministry, a band I saw in  1988(The land of Rape and Honey) and I have never stopped going when they came through town. Al Jourgensen , a great musician , great frontman led the band on a brutal assault on this N.Y.C. crowd. Two highlights of the set was “Supernaut” by Black Sabbath and “ Jesus Built my Hotrod”  Ah, next came Primus An interesting band to put in between all the others. I have seen Les Claypool over 50 times and never get tired of absorbing the psychedelic funk metal. Opening with “Those dam Blue Collar Tweakers” Primus showed they could not only hang with the Slayer crowd they might have picked up a couple new fans! A highpoint of the set was a great cover of the Rush song “ Cygnus X-1” . Then came the main event, SLAYER!! Another band I have seen many times over the years. Touring for “ The Final Campaign” this was sure to be a special one. Before the band started the stage was covered with a curtain with upside down crosses on it. Clearly these guys don’t frequent Sunday mass!

When the curtain dropped the band came out with “Repentless” from the self titled  album. What can I say about these guys except they have never strayed away from where they started musically! A nonstop assault of your senses. The mosh pit never stopped! The Slayer fans are one of a kind and tonight the energy was felt by all. Going through a long set list of songs I was always drawn to “Seasons of The Abyss” ,” South of Heaven” ,”Rain in Blood” and of course there encore “ Angel of Death”. Slayers spot as one of the best heavy metal bands will not go away any time soon!

 

 

Robyn Hitchcock – 11/13/19, Atlanta

Dates: November 13, 2019

Location: Eddie's Attic, Atlanta GA

Not one, but two freakin’ shows of prawndom from the maestro, all at Eddie’s Attic in the dirty South…

PHOTOS/TEXT BY JOHN BOYDSTON

When Robin Hitchcock says, “Hello Fellow Human Beings,” you kind of know he’s being gracious to at least some of us, but that’s why we love him — he’s happy to share glimpses of his world, which is really our world turned inside-out, upside-down, and mirror-imaged back at us.

Witty, sardonic, charming, and in fine musical form alone with his acoustic guitar (he is an excellent player) and sometimes harmonica, Hitchcock is a natural for the stage. His non-sequitur intros are as entertaining as the songs from his extensive catalogue, and most eras were represented here tonight. He seems to entertain requests if you can get them to him pre-show.

Recent LP Robyn Hitchcock from 2017 on Yep Roc is still getting airtime on my table. Plus, there is a recent 10” with Andy Partridge titled Planet England that Partridge’s Ape House label dropped in September.

Solo tour continues – check out dates:  – https://www.robynhitchcock.com/tour.

Living now in Nashville, he’s also doing a rare band show at The Mercury Lounge,  coming up December 5th.  See ya there.

2019 Louder Than Life Festival 9/27-29/19, Louisville

Dates: September 27-29, 2019

Location: Louisville, Kentucky

Our resident decibel-meter man returns once again to the (metal) scene of the crime – check out some of his previous coverage which left our photo editor’s ears ringing just looking at the pics.

TEXT & PHOTOS BY MARK JACKSON

When the temperature reaches nearly 100 degrees for the third day straight and you are aware of the dusty, humid conditions, what do you wear? Why, black of course! The dark color is a must-have for the metal and rock hybrid that takes the crown for the largest rock festival in the United States. This year’s attendance reached more than 128,000 people over the three-day schedule.

It’s no wonder that this festival topped all other festivals this year with the killer lineup that Danny Wimmer Presents put together. (Scroll to the bottom for details on the production company.) It started with Guns N’ Roses and carried on with the reunion of Staind and big names like Slipknot (who had just dropped a great new album), Disturbed, Rob Zombie, Marilyn Manson, Philip H Anselmo & the Illegals (whose set was heavy with Pantera classics and even had a guest appearance from the members of GWAR). Wimmer brought over 30 acts of rock and metal and through in a little spice with rap legends Ice Cube and Jelly Roll.


The heat was unbearable, but with constant ear blasting music and enough gourmet food and drinks to hold you over until the late night second trip meal, no one was sitting this one out. With a normal temperature of around 75-80 during the day and in the 60s at night, this year’s unseasonable weather was close to one hundred degrees all three days.

The weather tried its best to dampen the festival-goers, but we got an immaculate festival and a great location that Wimmer and the team had to transform into a suitable site for a three separate weekend festival, starting with Home Town Rising, followed by Bourbon & Beyond, and ending with Louder Than Life. This year’s festivals were relocated due to the old site being prone to flooding and ruining the Bourbon & Beyond festival last year and leading to the cancellation of the 2018 Louder festival as well.


The new site has a great layout but does and will probably receive some planted trees for shade, more shaded tents and or tables for people to sit and rest while grabbing a great meal. Elsewhere at the Highland Festival Grounds at KY Expo Center, fans were able to take in several art displays and live painting, including a large homage to late actor Sid Haig, best known to rock fans for playing Captain Spaulding in Rob Zombie’s films. Other onsite attractions included the Kroger Big Bourbon Bar presented by Louisville Courier Journal, which featured more than two dozen hand-selected bourbons from top distilleries; Fred Minnick’s Mini Bar presented by Bourbon Women Association, hosted by the Bourbon & Beyond bourbon curator, author/expert, and Amazon Prime host (Bourbon Up); Jack Daniel’s No. 7 Sports Bar; The Music Experience; Angel’s Envy Speakeasy; and The Silver Dollar Hunter’s Club, where attendees could find vintage bourbons dating as far back as the 1930s, as well as contemporary collectibles.

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Anti Flag

Breaking Benjamin

Deadland Ritual

DED

Demon Hunter

Dirty Honey

Disturbed

Dropkick Murphys

GNR

Godsmack

GWAR

Halestorm

Ice Cube

Jelly Roll

Marilyn Manson

Motionless In White

New Years Day

Phil Anselmo

Rob Zombie

Sick Puppies

Staind

Suicidal Tendencies

Sum 41

The Crystal Method

The Pink Slips

(Duff watching his daughter’s The Pink Slips)

Three Days Grace

 

 

 

 

 

 

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Louder Than Life is produced by Los Angeles-based Danny Wimmer Presents, one of the largest independent producers of destination music festivals in America. DWP events include Aftershock, Bourbon & Beyond, Chicago Open Air, Epicenter, Hometown Rising, Louder Than Life, Sonic Temple Art + Music Festival, and Welcome To Rockville. For more information on Louder Than Life (#louderthanlife) please visit:

www.LouderThanLifeFestival.com
www.facebook.com/louderthanlifefestival
www.twitter.com/ltlfest
www.instagram.com/louderthanlifefest

2019 Austin Levitation Festival Night Three Report

In which our man on the ground, the esteemed Prof. Boydston, protects his lens from proximate fan damage because he cares about YOU, dear Blurt readers. Go HERE to view his report and gallery from the Austin blast’s first night, November 7, and HERE for November 8. (Pictured above: Levitation hosts the Black Angels.)

BY JOHN BOYDSTON

Having no expectations about what to expect of John Cale it was hard to be anything but happily blown away by this 77-year old man’s performance.

This living legend came to rock, and with a great band that is what they did. And to sing his songs which are still about something.

The Black Angels set Cale up perfectly with a fantastic and dynamic set, as they continue looking for that dark cloud in every silver lining it. They found it tonight, keeping Austin Weird, and Dark. This band is responsible for Levitation even being a thing, let’s give ‘em a hand.

Earlier, White Fence from San Francisco also put in a brilliant set around the corner at The Empire Control Room and Garage, because that is what they do. Throughout their set I kept thinking if Syd Barrett and Ray Davies ever had a baby, it would be this band’s founder and creative force Tim Presley.

The LA-based Allah-Las came charging out of the gate as well, working a new LP and playing favorites from the previous three. They have a much ballsier sound live now, without changing what they do, and you know that can’t be bad.

More Black Angels on the Stubbs stage:

2019 Austin Levitation Festival Night Two Report

In which our man on the ground, the esteemed Prof. Boydston, protects his lens from proximate fan damage because he cares about YOU, dear Blurt readers. Go HERE to view his report and gallery from the Austin blast’s first night, November 7, and stay tuned ‘cos there’s more to come! (Pictured above: the crowd at Stubbs either trippin’ out or in the line for the bathrooms….)

BY JOHN BOYDSTON

Things we learned Friday night, Nov. 8, at Levitation 2019 in Austin, Texas, in no particular order:

1) What Wayne (Flaming Lips) said…

2) The Rev in Mercury Rev must be short for Revelation, because they are one.

3) Death Valley Girls can lick ‘em by smiling, and leave ‘em to hang. [I see what you did there, John. – Lyric Ed.]

4) A year of touring for Broncho has turned them into a dynamic, crowd-favorite stage act.

5) Crocodiles are the best rock band I have ever seen, or at least since The Clash (and before that band cashed out).

7) Elephant Stone’s Rishi Dihr can jam with the best of them sitting down.

Tonight (Sat., Nov. 9), will feature White Fence, Allah Las, John Cale, and The Black Angels – and many more we hope. Worth noting is that Reverberation was originally founded in 2008 by Texas sonic/archival/renegade collective the Reverb Appreciation Society featuring key members of those very same Black Angels. [Who, I feel compelled to insert at this point in your narrative, John, once blew my 5-year old son’s mind at a deafening club soundcheck well over a decade ago. I still have the ear damage to prove it, and he still has the autographed 3-D poster to prove it as well. Have at it, gang, and please don’t return our photographer home with anything less than permanent ear damage from tonight. – Archival Ed.]

2019 Austin Levitation Festival Night One Report

In which our man on the ground, the esteemed Prof. Boydston, protects his lens from proximate fan damage because he cares about YOU, dear Blurt readers. More to come!

BY JOHN BOYDSTON

Planet Stubbs (see colorful stage photo) and some class acts help lift Levitation 2019 into gear in Austin, Texas, Thursday night (Nov. 7).


A damn chilly night did not put a damper on Vagabon, Devendra Banhart, and the truly angelic Angel Olsen (pictured above). Many bands were blazing down the streets and around the corners, but once you get into a Stubbs BBQ groove, it’s hard to move on.

Tonight, the electric psych sounds of Holywave, Mercury Rev, and The Flaming Lips will light up this stage. And many many others around the corner.

Vagabon:

Banhart:

Shovels & Rope – 10/13/19, Philadelphia

Dates: October 13, 2019

Location: Union Transfer, Philadelphia, PA

One of the BLURT braintrust’s fave band live at Philly’s Union Transfer on a sweet – loud – Sunday evening in the fall… (Above photo from the band’s Facebook page.)

BY JOHN B MOORE

For a duo, Shovels & Rope sure as hell manage to make their sound heard. (No shit. – Ed.)

Headlining a series of shows to promote their latest, By Blood, wife/husband duo Cary Ann Hearst and Michael Trent traded off vocals and turns behind the drum kit and on guitar, reeling through a 20-plus song set with the energy and hunger of a band just starting out. The fact that Shovels & Rope have been around for close to a decade made that feat that much more impressive for the crowd that ate up every moment Hearst and Trent were on stage.

The set kicked off with the title track from their latest LP and include a handful of new tracks like the destined to be show staple for years to come, “C’mon Utah,” a song set in future America about a horse helping unite a father with his son after a wall was built to keep immigrants out. Rather apt song for our time. The two deftly mixed in new songs alongside some of the greats from pervious records, like “O Be Joyful,” “Hail Hail” and a deeply spirited “The Devil is All Around.”

As impressive as the energy they put into the show – despite spending much of the past year on the road – was the versatility of these two musicians. Hearst managed to play both the drums and organ simultaneously throughout the set, a feat her husband was able to pull off as well when they switched places mid set.

Several times throughout the set, the two managed to show their appreciation for the audience who came out on a Sunday night: “We always feel blessed that this is our job every day,” said Hearst at the start of the show. Not too long after, a self-deprecating Trent unbuttoned his jacked to reveal a By Blood shirt. “After the album came out, we ordered a ton of these shirts thinking they would sell. Um, they’re not selling as well as I thought so I just started wearing them on stage. I’ve got plenty of clean shirts for the rest of the tour.”

A remarkable show by a remarkable band that proved yet again how they’ve managed to build such a loyal following with little airplay but strong word of mouth.