Category Archives: Audio stream

Track Premiere: Peyton Brock “Loser”

Young indie-folk chanteuse has got the right stuff.

By Fred Mills

Everyone, by now, has contended – and sometimes dueled – with suggestion engines and bots. You know, those oftentimes annoying boxes that appear on your screen below something you’ve been browsing on the web, as in “similar items,” “you may also like,” “other shoppers liked these,” etc. Here in the music biz, the strategy even predates Amazon in the form of the once-ubiquitous “RIYL” notations (aka “Recommended If You Like”) that would typically accompany an album review.

But whatever happened to the old-school “hey man, you gotta check out this artist/band/record, it’s right up your alley, and it’s just plain awesome!” that your friends or coworkers came rushing up to you on a Monday morning? Or, for that matter, whatever happened to us just reading record reviews and trusting the reviewer’s judgment?

Please allow me to “suggest,” then, indie-folk artist Peyton Brock who was recommended to me by a friend whose musical taste I can definitely trust. Ms. Brock is 13 years old and she lives in Georgia. On my initial listen I could hear elements of a young Mary Lou Lord, possibly a touch of lo-fi era Liz Phair, and – given the singer’s age – indie female singer-songwriters here in the contemporary era. The music is relatively minimalist, giving her sweet vocals an open sandbox within which to dance, and she is very, very cool. I predict that with time and experience, she’s also going to blossom into someone very, very special to a lot of people.

I’ll spare any more of my hype, and just let you check her out yourself. I suspect you’ll be playing it over and over….

Track Premiere: Jonny Polonsky’s “The Same Song”

 

This ace track from the rocker’s recent demos/rarities compilation “was like trying to scratch a squid’s back while blindfolded”—but indeed, the band managed to turn it into something! Watch the lyric video, below. And check out our 2018 interview with Mr. Polonsky as well.

BY JOHN B. MOORE

While it may have appeared like Jonny Polonsky was taking it pretty easy in the 22 years since his amazing debut, Hi, My Name is Jonny, came out, it turns out he was pretty busy all along. Aside from the  handful of EPs and LPs he’s put out, Polonsky had been hording a slew of unreleased songs and demos (18, at least).

He recently put these lost goodies out on vinyl and CD under the title UNRELEASHED: Demos and Rarities 1996-2018, which arrived back in November.

When Polonsky asked us to share the video for ‘The Same Song,’ we jumped at the opportunity. Well, not literally jumped, but did give an enthusiastic ‘Fuck, yeah!’. Again, not literally out loud, but in our heads.”

“I wrote the chorus to ‘The Same Song”’sometime in the late ‘90s and had it lying around for a long time. I knew it was strong but it just lay around like a head without a body for a long time and I figured that was that.

“In 2002 I moved to Los Angeles and reconnected with Lyle Workman, who I had met when he played guitar in a Frank Black’s band. Lyle is a great guitarist and a really nice guy, and he had a home studio so I thought it would be fun to work on a track.

“I played him the chorus and he helped me figure out a verse. I would play and sing some ideas, he’d say, ‘go up, no, go down, less movement’—it was like trying to scratch a squid’s back while blindfolded, but we managed to turn it into something.

“We brought in Nick Vincent, another Frank Black alum, who had played drums on the original FB-produced demos that had gotten me signed. Nick did a great job, I laid down guitars, bass and vocals, and we finished the entire thing in a day.”

Connect with JP: https://www.facebook.com/JonnyPolonskyMusicPage/

Track Premiere: Lonesome Shack “The City is A Desert”

Get aHEAD of the curve and check out this awesome outfit… the March tour dates, too!

By John B. Moore

London by way of Seattle blues trio Lonesome Shack, cite everyone from Canned Heat to Lee “Scratch” Perry as influences. And those eclectic sonic connections come through loud and clear on “The City Is A Desert” off their new LP Desert Dreams. Blurt is stoked to premiere this new track for you.

“London is the biggest, most exciting city I’ve ever lived in and there are all kinds of people everywhere you look. You might say it’s the total opposite of where I used to live in Alma, NM,” said Lonesome Shack singer/songwriter/guitarist Ben Todd. “It’s so inspiring to be in such a thriving metropolis but there are these times when you’re packed in the tube like a sardine and you feel so far away from everyone. Or you’re walking down a crowded street and you’ve never felt so anonymous. Or you’re in a tall building looking down on a never ending urban sprawl and you feel like you’re seeing the expansive desert from the top of a mountain in New Mexico. Luckily in the desert, magic and loneliness walk hand in hand.”

Lonesome Shack’s Desert Dreams will be available March 1st on Limited Edition Vinyl, CD, digital and streaming formats via Alive Naturalsound Records.

Visit the band online at the official website as well as the Facebook page.

Listen to New Brian Jonestown Massacre Track

Mark March 15 on your calendars, fellow BJM devotees.

By Fred Mills

The Brian Jonestown Massacre has to be one of the most prolific bands on the planet, rivaling even Guided By Voices back in the day for recorded music output. Just the past year has seen a slew of releases, and now comes word that March will bring a self-titled full length released, as always, on founder Anton Newcombe’s own A Records label.

Track listing:

1. Drained
2. Tombes Oubliées
3. My Mind Is Filled With Stuff
4. Cannot Be Saved
5. A Word
6. We Never Had a Chance
7. Too Sad To Tell You
8. Remember Me This
9. What Can I Say

 

 

 

Check out a teaser for the new rec by way of the masterful psych-twang of “Cannot Be Saved.”

Track Premiere: JM Lansdowne “Baby Blue”

“A multitude of great memories”: sonic gem plucked from songwriter’s new EP that arrives in stores THIS WEEK.

By John B. Moore

JM Lansdowne really hit the nail on the hit with the title of his latest EP, Clean & Unholy.

With a crumpling marriage, scoring drugs competing with his shows, and then the sudden death of someone close to him, Lansdowne knew he had to change, so he began the hard path to get clean and sober. The result can be heard all over this powerful new record.

BLURT is stoked to be able to share the song “Baby Blue,” off this new EP:

Lansdowne reflects on the track, noting, “‘Baby Blue’ is one hell of a special tune. For me, it reminds me of the good times and highlights a multitude of great memories. It’s one of those songs that talks of going out drinking with your girl, who probably can’t hold as much alcohol as she lets on… Then come the shenanigans, but you’re cool with it cause you’re crazy about her and could care less about anything else.”

The 7-song Clean & Unholy is due out this Friday, November 23, via Paper + Plastick Records. It was recorded in Dallas, Texas; Valparaiso, Indiana; and Lima, Ohio by Quentin Black. Keep tabs on Lansdowne, along with touring dates, at his Facebook page.

Photo Credit: Amanda Wilson

Track Premiere: GospelbeacH “Runnin’ Blind”

SoCal kings of cool serve up another winner – not to mention a stunning looking slab o’ wax.

By John B. Moore

 If Blurt had a house band, there’s a pretty good chance the laidback, LA-based Indie Pop band GospelbeacH would be in the running. No less than our editor Fred Mills called last year’s sumptuous sophomore platter, Another Summer of Love, “not only perfectly titled, it’s a study in both perfect conception and perfect execution”; longtime contributor Barry St. Vitus described 2015’s Pacific Surf Line as a classic release as“viewed through the lens of the Buffalo Springfield, Flying Burrito Brothers, Chris Darrow and others who pioneered the sound and glorified So-Cal’s gilded palace of sin and sun with a country spin early on.”

So imagine how stoked we were to be asked to premiere the song “ Runnin’ Blind,” off their soon-to-be-released Another Winter Alive.

“‘Runnin’ Blind’ is our attempt to blend Krautrock with The Everly Brothers…lyrically it’s one of those prophetic songs that weren’t real at the time but life ended up imitating art,” said singer-songwriter Brent Rademaker.

The album features five previously unreleased studio tracks recorded during the band’s sessions for Another Summer Of Love plus five live songs recorded in London during their California Fantasy tour, revisiting stripped-down live versions of songs from their debut album Pacific Surf Line.

GospelbeacH’s Another Winter Alive will be available on Limited Edition Vinyl, CD, digital and streaming formats on November 30th via Alive Naturalsound Records.

Link to pre-order the starburst vinyl (photo of the LP that our editor just got in the mail from his pre-order purchase is above):  https://www.bompstore.com/gospelbeach-another-winter-alive-starburst-vinyl-w-double-sided-color-insert/

Meanwhile, visit the band on Facebook and tag Blurt when you do so they’ll know we sent ya: https://www.facebook.com/GospelbeacHband/

 

Track Premiere: Wyves’ “Mar-a-Lago” Trumptrib… not!

Phoenix outfit takes a l’il sonic vacation to sunny Florida and hops in a tanning booth….

By Blurt Staff

sure if you’ve heard this yet, but the guy currently squatting in the White House is a real asshole – I mean, seriously, a racist, misogynistic, egotistical dullard appealing to the worst instincts of humanity – so, not a cool guy. The Phoenix-based band Wyves may have caught on to him as well, as they just put out a stellar, rollicking slice of satire with their new single, Mar-a-Lago,” is a sweet little tune written in the first person as Donald Trump.

“Instead of just talking about how horrible or absurd he is in literal terms, I wanted to take an approach like “A Day In The Life” or “Sympathy For The Devil” to highlight his ridiculous ways by boasting about his base loves about him,” says Wyves singer Corey Gloden  “This includes him going to Mar-a-Lago on the weekends to play golf with world leaders and business partners. I wanted the chorus to read like a brochure and like an 80’s tropical beach song in a major key, like “Kokomo”, offset with dark cryptic lyrics.”

The band was cool enough to let us bring it to you for the premier.

The song is off their new record, R U OK? Listen to “Mar-a-Lago”:

Wyves formed in 2015 and released their debut album, Spoils of War, the next year. That first single (sharing a name with the album title) was named #1 single of 2016 by the Phoenix News Times. Over their three years of existence, the band has shared the stage at festivals and as direct support with acts such as Gary Clark Jr, Dr. Dog, Govt. Mule, Juliette Lewis, and many more.

Track Premiere: Chris Stamey “Greensboro Days”

North Carolina indie rock godfather serves up a gem of a flashback. (Photo credit: Daniel Coston)

By Fred Mills

As North Carolina’s Chris Stamey quips, “Here it is, the followup to my first single, ‘The Summer Sun’—after only 41 years!”

The songwriter/rocker/producer is talking about “Greenboro Days,” which we here at BLURT are honored to be able to present to our readership. I’ve been a fan ever since the mid ‘70s, when he emerged as one of indie-rock’s earliest movers and shakers with his outfit Sneakers. Since then he’s consistently delivered the sonic goods, and this new track is no exception, so check it out:

The folk-pop tune’s available now at Spotify as well as Amazon. It was produced by Chris and Jeff Crawford and features Dan Davis (drums) and Jason Foureman (acoustic bass), plus John Teer from Chatham County Line on fiddle and mandolin, and Peter Holsapple from The dB’s (who also has a new record out, the Omnivore-issued Game Day album) on harmony vocals. (The tune will tweak the memories of longtime Stamey/Holsapple watchers who have the pair’s Mavericks collaboration from the ‘90s.) According to Chris, “’Greensboro Days’ is a folk-rock lament about traveling from summer into autumn, on steel wheels.” Those steel wheels can be viewed in the accompanying lyric video, which is considerably more than just a typical “lyric video”:

“Greensboro Days,” then, makes for a fitting followup to Chris’ “Summer Sun” single from ’77. It’s released on Stamey’s recently reactivated Car Records label, which released some true gems in the late ‘70s from Holsapple, Stamey and The dB’s, Big Star’s Chris Bell, and Sneakers. It’s more than appropriate, considering the back pages Chris recently thumbed through in his A Spy in the House of Loud musical memoir. The city of Greensboro is just a few miles from where Chris grew up, in Winston-Salem, and it played an influential role during the late ‘70s and early ‘80s when the North Carolina indie scene—and Stamey himself—was establishing its musical footing. And speaking of the Car label: He also has plans to release a new solo album, The Great Escape, via Car in early 2019, so keep your eyes peeled for that.

Incidentally, fans wanting to dive a bit deeper into “Greensboro” can snag a free download of Chris’ sheet music for the song at THIS LINK that he kindly provided. The sheet music is from his songbook New Songs for the 20th Century.

 

 

 

 

Incoming: Album from Nashville’s Sour Ops / In Hand: Promo 12″

Rockin’ two-track advance teaser for Nashville band’s upcoming full-length.

BY FRED MILLS

Self-described as “a collaborative rock & roll effort,” Nashville-based Sour Ops here serves up a righteously rockin’ slab of 12” wax, “Phonograph” b/w “Mind Like Glue” courtesy Feralette Media. On the “Phonograph” A-side, the group is paying tribute to, you guessed it, the joys of recording for, pressing up on, and listening to, vinyl. Gee, how’d they figure out BLURT might be predisposed to liking this ditty?—which, sonically speaking, is a tight-but-loose chip-off-the-ol’-Stooges/MC5-block. (Listen close, and you might also here a couple of sneaky Stones licks in there as well.)

Over on the flip, “Mind Like Glue” picks up the baton and bolts with it via a crunchy, riff-powered progression that marks the band as latterday sons of Nuggets. Which comes as no huge surprise, considering the bandmembers list Panther Burns, Snakehips, the Upstairs Party, Botswanas, and Sixty-Nine Tribe on their collective C.V. Led by guitarist Price Harrison (who also heads up the Feralette label, which has previously brought us music from Snakehips, Marshall Chapman, Boo Ray, and Palmyra Delran), Sour Ops has a full length, Family Circuit, due out in late October, and this limited edition single makes for quite a fine teaser.

 

Track Premiere: Bird Streets “Carry Me”

Terrific tune culled from eponymous album, due out this week on Omnivore. Above: Jason Falkner and John Brodeur.

By Fred Mills

Brooklyn-based John Brodeur has been releasing top-shelf pop records for a number of years now, and in his current incarnation as Bird Streets and new album Bird Streets he’s knocking the ball out of the park. The album was produced by the mighty Jason Falkner (Jellyfish, Beck, etc.), who also plays on it and shares co-writing credit with Brodeur on all but two tracks. It drops August 10 via Omnivore, and we are extremely pleased to be able to unveil a track for our readership. Check out “Carry Me”:

Sings Brodeur, tellingly,

“Let’s raise a toast my friends
To new beginnings and bitter ends
Flip the hourglass again
‘Cause morning’s breaking soon…”

Brodeur comments on the song, saying, “I left Falkner’s place one evening having been instructed to return with ‘something that rocks.’ This old lyric full of car crashes and explosions seemed to fit the bill. We knew almost immediately that ‘Carry Me’ was going to open the record, it just had this undeniable vibe. In a way, it was the first Bird Streets song—the one that made me realize we weren’t making just another John Brodeur record.”

The record was primarily produced and recorded at Rhetoric studio in Los Angeles, and among the other musicians appearing on the record are Miranda Lee Richards and Luther Russell.

 

Both Brodeur and Falkner will be appearing onstage together for some shows August 25-26 in Los Angeles; joining them will be bassist Keith Hosmer and drummer Ben Lecourt. Brodeur’s official album release party will be August 9 in NYC, and you can keep track of the shows at his Bird Streets website.

Meanwhile, check out the track “Betting On the Sun” over at Magnet magazine, and the video for the song “Direction” at Glide mag.