Get aHEAD of the curve and check out this awesome outfit… the March tour dates, too!
By John B. Moore
London by way of Seattle blues trio Lonesome Shack, cite everyone from Canned Heat to Lee “Scratch” Perry as influences. And those eclectic sonic connections come through loud and clear on “The City Is A Desert” off their new LP Desert Dreams. Blurt is stoked to premiere this new track for you.
“London is the biggest, most exciting city I’ve ever lived in and there are all kinds of people everywhere you look. You might say it’s the total opposite of where I used to live in Alma, NM,” said Lonesome Shack singer/songwriter/guitarist Ben Todd. “It’s so inspiring to be in such a thriving metropolis but there are these times when you’re packed in the tube like a sardine and you feel so far away from everyone. Or you’re walking down a crowded street and you’ve never felt so anonymous. Or you’re in a tall building looking down on a never ending urban sprawl and you feel like you’re seeing the expansive desert from the top of a mountain in New Mexico. Luckily in the desert, magic and loneliness walk hand in hand.”
Lonesome Shack’s Desert Dreams will be available March 1st on Limited Edition Vinyl, CD, digital and streaming formats via Alive Naturalsound Records.
Mark March 15 on your calendars, fellow BJM devotees.
By Fred Mills
The Brian Jonestown Massacre has to be one of the most prolific bands on the planet, rivaling even Guided By Voices back in the day for recorded music output. Just the past year has seen a slew of releases, and now comes word that March will bring a self-titled full length released, as always, on founder Anton Newcombe’s own A Records label.
2. Tombes Oubliées
3. My Mind Is Filled With Stuff
4. Cannot Be Saved
5. A Word
6. We Never Had a Chance
7. Too Sad To Tell You
8. Remember Me This
9. What Can I Say
Check out a teaser for the new rec by way of the masterful psych-twang of “Cannot Be Saved.”
“A multitude of great memories”: sonic gem plucked from songwriter’s new EP that arrives in stores THIS WEEK.
By John B. Moore
JM Lansdowne really hit the nail on the hit with the title of his latest EP, Clean & Unholy.
With a crumpling marriage, scoring drugs competing with his shows, and then the sudden death of someone close to him, Lansdowne knew he had to change, so he began the hard path to get clean and sober. The result can be heard all over this powerful new record.
BLURT is stoked to be able to share the song “Baby Blue,” off this new EP:
Lansdowne reflects on the track, noting, “‘Baby Blue’ is one hell of a special tune. For me, it reminds me of the good times and highlights a multitude of great memories. It’s one of those songs that talks of going out drinking with your girl, who probably can’t hold as much alcohol as she lets on… Then come the shenanigans, but you’re cool with it cause you’re crazy about her and could care less about anything else.”
The 7-song Clean & Unholy is due out this Friday, November 23, via Paper + Plastick Records. It was recorded in Dallas, Texas; Valparaiso, Indiana; and Lima, Ohio by Quentin Black. Keep tabs on Lansdowne, along with touring dates, at his Facebook page.
SoCal kings of cool serve up another winner – not to mention a stunning looking slab o’ wax.
By John B. Moore
If Blurt had a house band, there’s a pretty good chance the laidback, LA-based Indie Pop band GospelbeacH would be in the running. No less than our editor Fred Mills called last year’s sumptuous sophomore platter,Another Summer of Love, “not only perfectly titled, it’s a study in both perfect conception and perfect execution”; longtime contributor Barry St. Vitus described 2015’s Pacific Surf Line as a classic release as“viewed through the lens of the Buffalo Springfield, Flying Burrito Brothers, Chris Darrow and others who pioneered the sound and glorified So-Cal’s gilded palace of sin and sun with a country spin early on.”
So imagine how stoked we were to be asked to premiere the song “ Runnin’ Blind,” off their soon-to-be-released Another Winter Alive.
“‘Runnin’ Blind’ is our attempt to blend Krautrock with The Everly Brothers…lyrically it’s one of those prophetic songs that weren’t real at the time but life ended up imitating art,” said singer-songwriter Brent Rademaker.
The album features five previously unreleased studio tracks recorded during the band’s sessions for Another Summer Of Love plus five live songs recorded in London during their California Fantasy tour, revisiting stripped-down live versions of songs from their debut album Pacific Surf Line.
GospelbeacH’s Another Winter Alive will be available on Limited Edition Vinyl, CD, digital and streaming formats on November 30th via Alive Naturalsound Records.
Phoenix outfit takes a l’il sonic vacation to sunny Florida and hops in a tanning booth….
By Blurt Staff
sure if you’ve heard this yet, but the guy currently squatting in the White House is a real asshole – I mean, seriously, a racist, misogynistic, egotistical dullard appealing to the worst instincts of humanity – so, not a cool guy. The Phoenix-based band Wyves may have caught on to him as well, as they just put out a stellar, rollicking slice of satire with their new single, “Mar-a-Lago,” is a sweet little tune written in the first person as Donald Trump.
“Instead of just talking about how horrible or absurd he is in literal terms, I wanted to take an approach like “A Day In The Life” or “Sympathy For The Devil” to highlight his ridiculous ways by boasting about his base loves about him,” says Wyves singer Corey Gloden “This includes him going to Mar-a-Lago on the weekends to play golf with world leaders and business partners. I wanted the chorus to read like a brochure and like an 80’s tropical beach song in a major key, like “Kokomo”, offset with dark cryptic lyrics.”
The band was cool enough to let us bring it to you for the premier.
The song is off their new record, R U OK? Listen to “Mar-a-Lago”:
Wyves formed in 2015 and released their debut album, Spoils of War, the next year. That first single (sharing a name with the album title) was named #1 single of 2016 by the Phoenix News Times. Over their three years of existence, the band has shared the stage at festivals and as direct support with acts such as Gary Clark Jr, Dr. Dog, Govt. Mule, Juliette Lewis, and many more.
North Carolina indie rock godfather serves up a gem of a flashback. (Photo credit: Daniel Coston)
By Fred Mills
As North Carolina’s Chris Stamey quips, “Here it is, the followup to my first single, ‘The Summer Sun’—after only 41 years!”
The songwriter/rocker/producer is talking about “Greenboro Days,” which we here at BLURT are honored to be able to present to our readership. I’ve been a fan ever since the mid ‘70s, when he emerged as one of indie-rock’s earliest movers and shakers with his outfit Sneakers. Since then he’s consistently delivered the sonic goods, and this new track is no exception, so check it out:
The folk-pop tune’s available now at Spotify as well as Amazon. It was produced by Chris and Jeff Crawford and features Dan Davis (drums) and Jason Foureman (acoustic bass), plus John Teer from Chatham County Line on fiddle and mandolin, and Peter Holsapple from The dB’s (who also has a new record out, the Omnivore-issued Game Day album) on harmony vocals. (The tune will tweak the memories of longtime Stamey/Holsapple watchers who have the pair’s Mavericks collaboration from the ‘90s.) According to Chris, “’Greensboro Days’ is a folk-rock lament about traveling from summer into autumn, on steel wheels.” Those steel wheels can be viewed in the accompanying lyric video, which is considerably more than just a typical “lyric video”:
“Greensboro Days,” then, makes for a fitting followup to Chris’ “Summer Sun” single from ’77. It’s released on Stamey’s recently reactivated Car Records label, which released some true gems in the late ‘70s from Holsapple, Stamey and The dB’s, Big Star’s Chris Bell, and Sneakers. It’s more than appropriate, considering the back pages Chris recently thumbed through in his A Spy in the House of Loud musical memoir. The city of Greensboro is just a few miles from where Chris grew up, in Winston-Salem, and it played an influential role during the late ‘70s and early ‘80s when the North Carolina indie scene—and Stamey himself—was establishing its musical footing. And speaking of the Car label: He also has plans to release a new solo album, The Great Escape, via Car in early 2019, so keep your eyes peeled for that.
Incidentally, fans wanting to dive a bit deeper into “Greensboro” can snag a free download of Chris’ sheet music for the song at THIS LINK that he kindly provided. The sheet music is from his songbook New Songs for the 20th Century.
Rockin’ two-track advance teaser for Nashville band’s upcoming full-length.
BY FRED MILLS
Self-described as “a collaborative rock & roll effort,” Nashville-based Sour Ops here serves up a righteously rockin’ slab of 12” wax, “Phonograph” b/w “Mind Like Glue” courtesy Feralette Media. On the “Phonograph” A-side, the group is paying tribute to, you guessed it, the joys of recording for, pressing up on, and listening to, vinyl. Gee, how’d they figure out BLURT might be predisposed to liking this ditty?—which, sonically speaking, is a tight-but-loose chip-off-the-ol’-Stooges/MC5-block. (Listen close, and you might also here a couple of sneaky Stones licks in there as well.)
Over on the flip, “Mind Like Glue” picks up the baton and bolts with it via a crunchy, riff-powered progression that marks the band as latterday sons of Nuggets. Which comes as no huge surprise, considering the bandmembers list Panther Burns, Snakehips, the Upstairs Party, Botswanas, and Sixty-Nine Tribe on their collective C.V. Led by guitarist Price Harrison (who also heads up the Feralette label, which has previously brought us music from Snakehips, Marshall Chapman, Boo Ray, and Palmyra Delran), Sour Ops has a full length, Family Circuit, due out in late October, and this limited edition single makes for quite a fine teaser.
Terrific tune culled from eponymous album, due out this week on Omnivore. Above: Jason Falkner and John Brodeur.
By Fred Mills
Brooklyn-based John Brodeur has been releasing top-shelf pop records for a number of years now, and in his current incarnation as Bird Streets and new album Bird Streets he’s knocking the ball out of the park. The album was produced by the mighty Jason Falkner (Jellyfish, Beck, etc.), who also plays on it and shares co-writing credit with Brodeur on all but two tracks. It drops August 10 via Omnivore, and we are extremely pleased to be able to unveil a track for our readership. Check out “Carry Me”:
Sings Brodeur, tellingly,
“Let’s raise a toast my friends To new beginnings and bitter ends Flip the hourglass again ‘Cause morning’s breaking soon…”
Brodeur comments on the song, saying, “I left Falkner’s place one evening having been instructed to return with ‘something that rocks.’ This old lyric full of car crashes and explosions seemed to fit the bill. We knew almost immediately that ‘Carry Me’ was going to open the record, it just had this undeniable vibe. In a way, it was the first Bird Streets song—the one that made me realize we weren’t making just another John Brodeur record.”
The record was primarily produced and recorded at Rhetoric studio in Los Angeles, and among the other musicians appearing on the record are Miranda Lee Richards and Luther Russell.
Both Brodeur and Falkner will be appearing onstage together for some shows August 25-26 in Los Angeles; joining them will be bassist Keith Hosmer and drummer Ben Lecourt. Brodeur’s official album release party will be August 9 in NYC, and you can keep track of the shows at his Bird Streets website.
Longtime – as in, more than 4 decades longtime – North Carolina indie record store chain Schoolkids Records is Blurt’s sister business, and awhile back our other sister business, indie label Second Motion Records, also become Schoolkids Records, as in, Schoolkids Records label. With artists as noteworthy as Tommy Keene, Buffalo Tom, The Church, Bettie Serveert, and 6 String Drag populating the roster thus far, it has been a solid run ever since founder (and Blurt majordomo) Stephen Judge started the label 10 years ago.
Brooklyn, NY – November 17, 2017 – Portrait of musician Kevin Gordon. Photo credit: Jacob Blickenstaff
Rock ‘n’ roller transcends labels and genres – and he’s right on time, at that. From his new album, Tilt & Shine, out July 27.
By Blurt Staff
Though often tabbed as a songwriter or an Americana artist, Kevin Gordon is really a rock & roller. He proudly flies the rock & roll flag on “Right On Time,” a three-and-a-half-minute, tongue-in-cheek ode to the road. And Blurt is proud to be the one to introduce this track to you.
Gordon captures the strangeness of missing loved ones, the road as an in-between space of disconnection, the nerves of trying to make a sound check six hours away, as the guitars keep pushing. It’s a track from his vivid, swampy new album and artistic high water mark ‘Tilt & Shine,’ out July 27 on Crowville Media.
Gordon says, “I did a lot of driving when touring in support of the Gloryland and Long Gone Time records. The song is triggered from little moments—a morning in a motel in Marion, Virginia opens the story. The van I had at the time had 185,000 miles on it — and three out of four speakers blown — when I bid it goodbye. It was also an acceptance of that life—the over- romanticized ‘road,’ which I still love but which has become extremely familiar.”
He adds, “And being who, and what, I am, it’s easy to feel alienation in that literal distance from your family—distance that becomes metaphorical, in a fearful way. I also felt the challenge of writing a song with such a familiar phrase as its title and refrain. With my friend Gwil Owen, hopefully we crafted something that’s real, and fresh.”