Monthly Archives: April 2017

MP3: Download Run The Jewels 3/1/17 NYC Show

Hey kids – stay calm!

By Uncle Blurt

You could say we love us some El-P and Killer Mike around the BLURT crib… even your aging ol’ uncle, who until a year ago still thought the term “rap” was what folks did back in the ’60s when they wanted to have a serious conversation. (I remember an Episcopal Church preacher who prided himself for his “rap sessions” with us teenagers… but I digress.) So Run the Jewels had an HDTV broadcast of their March 1 concert in New York last month, and it’s now up at the Big O zine for free download, complete with artwork.

MP3 – Run The Jewels: Terminal 5, New York, NY; March 1, 2017

The sound is pretty awesome, and guests who come out include Boots, Joi, Gangsta Boo, and Zach de la Rocha, so things get, uh, pretty lively, to say the least. They even close out with a wild cover of the Pixies’ “Where Is My Mind.” Here’s the full tracklisting:

      Track 01
. intro (We Are the Champions) 1:56
      Track 02
. Talk To Me 2:55
      Track 03
. Legend Has It/Call Ticketron 9:12
      Track 04
. Blockbuster Night, Part 1 4:00
      Track 05
. Oh My Darling Don’t Cry 4:04
      Track 06
. Nobody Speak 2:27
      Track 07
. Hey Kids (Bumaye) 7:32
      Track 08
. Stay Gold/Don’t Get Captured 6:00
      Track 09
. Panther Like a Panther 2:56
      Track 10
. Everybody Stay Calm 2:40
      Track 11
. Love Again (Akinyele Back) (with Gangsta Boo) 5:40
      Track 12
. Lie, Cheat, Steal 3:55
      Track 13
. Early (with BOOTS)/A Report to the Shareholders 6:31
      Track 14
. banter 0:59
      Track 15
. Run the Jewels 4:52
      Track 16
. Happy Birthday (Mildred J Hill cover) 1:38
      Track 17
. Close Your Eyes (And Count to Fuck) (with Zack de la Rocha) 5:32
      Track 18
. Down (with Joi) 4:10
      Track 19
. Outro (Where Is My Mind? Pixies cover) 1:33

Incoming Vinyl: 2LP Colored Wax Version of Nick Cave’s “Murder Ballads”

Don’t forget that Lovely Creatures box set, either…

By Blurt Staff

With Nick Cave & the Bad Seeds fans in full salivation mode over the Lovely Creatures box set finally arriving on May 5 after a 2 1/2 year delay — full title: Lovely Creatures: The Best of Nick Cave & The Bad Seeds 1984-2014; it comes in multiple iterations, from a 2CD version to a super deluxe edition including DVD and 250-page hardback book, not to mention a 3LP vinyl edition (below) — it seems like now’s a perfectly appropriate time to unleash more Cave-related collectibles and maximize the, er, commercial potential.

To wit: As pictured at the top of the page, a gorgeous, multi-color vinyl limited edition 1996 classic Murder Ballads, which contains some of the Bad Seeds’ most popular songs (“Stagger Lee” in particular) and also featured guests PJ Harvey and Kylie Minogue appearing on it. It’s shipping this weekend via Newbury Comics (which specializes in these limited edition reissues), so you can look for it at your favorite independent record retailer or order it direct.

Back to the Future – 1988, actually – with the c88 Box Set

Raise your hand if you are hoping for the Cud revival to kick in as a result of the release. Meanwhile, listen to the lead track by the eternally brilliant Pooh Sticks, below.

By Uncle Blurt

While veterans of the indie indie wars are likely to tout with pride their owning an original copy of the legendary c86 cassette that the New Musical Express gave away to its readership in, you guessed it, 1986 — yes, I still have mine, safely tucked away in the vault, a guard standing outside 24/7 — a lot of punters don’t think 1988 was so bad, either. Among them, the archivally-minded Cherry Red label is putting its muscle where its mouth is with c88. Instead of a 90 minute cassette, however, it’s a three-CD box set boasting a whopping 72 songs, due in stores June 30.

Artists on c88 include the Stone Roses (but of course!), Pooh Sticks (whose timeless track “On Tape,” above, kicks off the collection), Sea Urchins, Kitchens of Distinction, Darling Buds, Pale Saints, and, er, Cud, among others. The full tracklisting is below, and luckily the twee-to-psych factor is relatively low. Worth noting: this is the followup to the label’s c87 box from last year, which of course was a sequel to Cherry Red’s expanded take on c86. Here’s hoping that by the time they get to the early ’90s the series will taper off before we get to Britpop, as that’s when all things British began to jump the shark.

The Cherry Red product description reads thusly:

C88 is another celebration of the Eighties Indie scene, documenting a golden era when tuneful guitar-based bands made records on shoestring budgets, often issued on small labels with hand-made artwork, with little hope of mainstream exposure. This 3-CD box set follows previous best-selling collections C86 (2014) and C87 (2016). C86 expanded the NME’s genre-defining compilation (initially a cassette, later a vinyl LP on Rough Trade) with 50 extra tracks from the period. C87 was an imaginary sequel, picking up the story a year later. Disc 1 is devoted to artists who haven’t previously graced this series, who – for the most part – first made an impact in 1988. The Stone Roses, Carter USM, Pale Saints and The Mock Turtles would all enjoy mainstream success. Others like The Pooh Sticks, The Man From Delmonte, Bridewell Taxis were cult indie favourites. Sarah Records – which came to epitomise a certain type of Indie Pop – are represented by The Orchids, Another Sunny Day, The Sea Urchins and The Poppyheads (whose ‘Cremation Town’ debuts on CD here). Other key indie labels also figure, such as Creation (Apple Boutique, Pacific, The House Of Love, Emily), 53rd & 3rd (The Groovy Little Numbers, The Vaselines) and The Subway Organization (The Clouds, Rodney Allen, The Flatmates, Bubblegum Splash, etc. ). Disc 2 revisits many of the bands who appeared on C87 with later singles or B-sides, such as the likes of Bob, Cud, The Darling Buds, Kitchens Of Distinction, The Shamen, The Heart Throbs, The Bachelor Pad and other staples of the late 80s Indie scene. New names to the series who appear on C88 include Choo Choo Train, Moss Poles, The Snapdragons, The Wilderness Children, Fat Tulips, Annie & The Aeroplanes, Thrilled Skinny, Murrumbidgee Whalers and many others. Numerous tracks have never been on CD before. The deluxe clamshell package includes a weighty booklet full of illustrations, with an 9,000-word sleeve-note and band-by-band biographies by C86 co-compiler Neil Taylor.


 Disc: 1

  1. On Tape – the Pooh Sticks
  2. Elephant Stone (7″ Version) – the Stone Roses
  3. Where Do You Go (Flexi Version) – the Popguns
  4. (Will Nobody Save) Louise – the Man from Delmonte
  5. Are You Happy Now? (Molesworth Version) – the Charlottes
  6. The Things You Want – the Snapdragons
  7. A Sheltered Life – Carter the Unstoppable Sex Machine
  8. One Summer – Moss Poles
  9. Lies – Bridewell Taxis
  10. Defy the Law – the Orchids
  11. Happy Like Yesterday
  12. The Groovy Little Numbers
  13. Julie Christie – the Driscolls
  14. High – Choo Choo Train
  15. Cremation Town – the Poppyheads
  16. Tattered, Tangled and Torn -Bradford
  17. So Happy to Be Alive-Thrilled Skinny
  18. Sister Goodbye – the Prayers
  19. Anorak City – Another Sunny Day
  20. She’s Gone – the Train Set
  21. Barnoon Hill – Pacific
  22. Forever Holiday (Ediesta Version) – Blow-Up
  23. Mary’s Garden – the Mock Turtles
  24. The Pennine Spitter – King of the Slums
  25. Colours and Shapes (Demo) -Pale Saints
  26. The Ballad of Jet Harris -Apple Boutique


Disc: 2

  1. The Hill – the House of Love
  2. Dying for It – the Vaselines
  3. Kirsty – Bob
  4. Slack Time – Cud
  5. Please Rain Fall – the Sea Urchins
  6. Shame on You – the Darling Buds
  7. Prize – Kitchens of Distinction
  8. Too Many Shadows – the Heart Throbs
  9. Do It for Fun – the Bachelor Pad
  10. They Fell for Words Like Love – Hangman’s Beautiful Daughters
  11. Giving Way to Trains – Murrumbidgee Whalers
  12. What’s Going Down – the Shamen
  13. Heaven Knows – the Flatmates
  14. Spell It Out – the Waltones
  15. Mrs Susan Spence – the Wilderness Children
  16. Yesterday – the Nivens
  17. Real World – Baby Lemonade
  18. Village Green – the Clouds
  19. Fire Escape – Rote Kapelle
  20. Mad Dogs – Emily
  21. The 18:10 to Yeovil Junction – Bubblegum Splash
  22. Michael Furey – Metro Trinity
  23. Theme from Cow – Inspiral Carpets


Disc: 3

  1. Sun, Sea, Sand – the Revolving Paint Dream
  2. Surfaround – the Fizzbombs
  3. Plaster Saint – the Church Grims
  4. Crush the Flowers (Demo) -The Wake
  5. Sunshine Thuggery – the Siddeleys
  6. Clear – Whirl
  7. A Million Zillion Miles -Annie & the Aeroplanes
  8. You Opened Up My Eyes – Fat Tulips
  9. Cincinnati – Holidaymakers
  10. The Camera Loves Me-Would-Be-Goods
  11. Anywhere But Home – the Caretaker Race
  12. Who Works the Weather
  13. The Great Leap Forward
  14. Cubans in the Bluefields-East Village
  15. Bythesea Road – the Haywains
  16. The Old Road Out of Town (12″ Mix) – the Wishing Stones
  17. Shake – the Corn Dollies
  18. Land of Gold – Bluetrain
  19. The Sun Slid Down Behind the Tower – Reserve
  20. Apple of My Eye-Remember Fun
  21. Morning O’Grady – Yeah Jazz
  22. Don’t Bury Me Yet – the Raw Herbs
  23. Curry Crazy – Bad Dream Fancy Dress
  24. On My Way – the Claim
  25. Glastonbury – Rodney Allen

Warpaint Is Ellen DeGeneres’ New Favorite Band

And they return the compliment.

By Fred Mills

Although distaff rockers Warpaint have kept a somewhat low profile the past few months, they earned the right to do whatever the eff they wanna do last year with the release of Heads Up, one of 2016’s hands-down best albums. As our reviewer put it, the album “elaborates upon the Warpaint signature dreampop while bringing in purposeful elements of dance-pop and post-rock… look for the band to be headlining larger and larger venues along the way.”

It would appear that prediction is coming true, as the group will be on a fairly huge tour this summer as opening act for Depeche Mode. Meanwhile, though, the ladies made a stopover at the Ellen show yesterday (April 25) in order to play DeGeneres’ personal request, “Whiteout,” from the 2016 album. Check it out, below — everybody looks more than just a little stoked, the perfect summit.


Watch Creepy New Afghan Whigs Video

Fire dance with me: you might say it’s somewhat NFSW…

By Fred Mills

Sex, witchcraft, human sacrifice, Satanic rituals  — just another day in the life of the Afghan Whigs, whose new album Spades drops next week, May 5. Just another video too, eh? This time around, though, with director Amy Hood at the helm, it’s decidedly more surreal and almost drug-informed than any previous surreal/druggy Whigs vids. Take a look at “Oriole” below. It follows last month’s “Demon In Profile” video, which had its own elements of spookiness and sexuality.


Carrie Brownstein Shows Love for Vinyl & Indie Record Stores

“Treasure chest” of records.

By Fred Mills

If you’re like most of us, this past Saturday you were either in line or crowding the bins at your favorite local independent record store—April 22 being Record Store Day, natch. So you might have missed the NPR segment that day featuring Carrie Brownstein, of Sleater-Kinney, Portlandia and NPR itself (for awhile she was a music and pop culture commentator), in which she outlined her history with and enduring love for record stores.

Brownstein singled out Seattle’s old Rubato Records shop as being hugely influential to her evolution as a music lover and, eventually, player, noting, I”n the center of the store [were] two rows of vinyl, and that became this light in the middle of the room that I gravitated towards. I just remember that feeling when you first put your fingertips on the top of the vinyl.

“I just spent about two hours literally looking at every single record they had in that store. I felt like I had discovered a treasure chest, and I dove in.”

Treasure chest, indeed. Familiar feeling, that—being a record lover and collector cuts across gender, ethnicity, age, even religious affiliation. And Brownstein, of course, would go on to become one of the most respected musicians (not to mention comedic actress) in the U.S. Maybe those bins of records she discovered all those years ago were the springboard.

Listen to the entire interview segment at the NPR website. Below, appropriately enough, watch the all-time classic Sleater-Kinney video for 2006 track “Modern Girl.”

Watch Ty Segall “Break A Guitar” for New Video

Literally. Above: wax on, wax off, dude.

By Blurt Staff

It’s directed by Matt Yoka, stars Ty Segall, features guest appearances by Fred Armisen, Henry Rollins and Jack Black, and centers around destroying guitars. Just another day in the life of indie rocker Segall, eh? Watch the new Drag City video for Segall’s “Break A Guitar,” below.

Artists Line Up for Global Event Supporting Julian Assange

#freeAssange apparently destined to become a trending topic…

By Blurt Staff

It’s no secret that Wikileaks founder Julian Assange is a polarizing figure; aside from whether or not someone views Wikileaks as a danger or a boon to democracy, even his supporters have been known to express discomfort when the topic of the Swedish sexual assault allegations dogging Assange come up. And, indeed, some partisans claim he’s being railroaded, while others  press for a courtroom resolution of the matter. Assange, of course, remains in exile at the Ecuadorian Embassy in London, claiming political asylum.

As it turns out, a number of well-known artists, musicians, and media personalities are opting to come down on Assange’s side and plan to appear at a raft of June 19 events in order to mark the fourth anniversary of his entering the embassy. Slated to appear in 14 different cities are Patti Smith, PJ Harvey, Brian Eno, Laibach, Noam Chomsky, Vivienne Westwood, Ai Wei Wei, Ken Loach, Jean Michel Jarre, Amy Goodman and Slavoj Žižek, just to list some of the more prominent names. Visit the Free Assange Now website for complete details on the day, which will include events in New York City, Paris, Berlin, Athens, Madrid, Belgrade and Buenos Aires.

In semi-related, if also semi-bizarre, news, actress Pamela Anderson has penned what she describes as a “poem” that discusses her rumored romance with Assange and offers advice to the world about how to get along – including a proposed “three-way” between the US, the UK, and France.

Anti-Suicide App For Australia’s Indigenous Gets Nick Cave Boost


Watch the GoFundMe campaign video below. Above: Cave at SXSW in 2013, by John Boydston (exclusive to Blurt)

By Fred Mills

Although World Suicide Prevention Day is not until September 10 (details at the International Association for Suicide Prevention), citizens are always encouraged to pitch in with the effort 365 days a year. Apparently Nick Cave is also taking that to heart, for the other day he announced his support for the crowdfunding campaign for the Kurdiji 1.0 app, aimed at heading off suicide among the indigenous residents of Australia. The campaign was started by the Warlpiri community of Lajamanu, located in the Tanami desert (Northwest section of Australia).

Commented Cave, “With Aboriginal people committing suicide on an unprecedented scale, a group of elders are creating an app based on ceremony story and law. Join them in fighting for lives of young Aboriginal people and let’s show Aboriginal Australia we believe in them.”

Details on the app and campaign is here at the GoFundMe site: ” It is a community-led and community-empowering initiative, with indigenous elders providing all of the app’s content. They have partnered with an expert team to develop the app and roll it out across the whole of Aboriginal Australia.”


Track Premiere: Chris Price “Hi Lo”

“Weird chords” abound in key track from new album, due in May.

By Blurt Staff

It’s called Stop Talking but anyone who’s been privy to a preview of LA songwriter and producer Chris Price’s forthcoming album is probably urging him to keep going. As good as Price’s 2012 solo debut Homesick  was, the expansive, luminous pop and rock dotting Stop Talking (due May 19 via  Omnivore marks a quantum leap in songwriting and arranging for the musician. We’re privileged to unveil the first single from the album, “Hi Lo,” so please check it out:

Price talks about the song, noting, “I wrote this in Berlin half asleep, immediately after many hours of travel to get there. I was sitting in a hotel room, it was late, but I couldn’t fall asleep and I was more than a little delirious. And these chords just came. It kinda felt like I was channeling something from a place I don’t always have access to, but that could definitely just be the insomnia talking.

“The acoustic guitar I wrote it on broke immediately after I played it through for the first time, which is…something? It’s got a lot of ‘weird’ chords in it, which is always a great thing to get to say about a song.”

The product of several years’ worth of on-and-off work and representing the cream of nearly 50 songs that were recorded during those years, Stop Talking was also influenced by Price’s outside work: producing comebacks by Linda Perhacs and Emitt Rhodes, playing in Tal Wilkenfeld’s band and opening for The Who, and writing with Jellyfish/Beck mainstay Roger Joseph Manning, Jr. Those experiences clearly assisted Price in forming a holistic perspective for his own work—although, as Price is quick to quip, “I really should stop talking and let the music speak for itself.”