belabor the point, we’ll just let you read all the hype, below, verbatim.
By Blurt Staff
the definitive Pixies’ Collector’s Sets, was already an extraordinary package
when it was first announced, but with more content added, it’s even better.
Now, weighing in at about 25-pounds with a custom clamshell
container that resembles the Monolith from the classic film “2001: A
space Odyssey,” new additions to the Limited Edition include Blu-ray and
DVD discs that are mastered for 5.1 audio surround sound at 24/192 and 24/96,
respectively, and two-channel stereo; five, 12-inch albums cut from the
original analog tapes and pressed on 180-gram virgin vnyl; a faux fur hardcover
96-page fine art book of Oliver and Larbalestier’s project artwork printed on
high-quality paper that measures 22 X 14″, and two frameable, 48″ X
36″, double-sided, fold-out, four color wall posters. In addition,
all 3000 copies of the Limited Edition sets will be individually numbered and
hand-signed by all four members of the Pixies and Vaughan Olliver.
Minotaur’s Limited Edition already includes all
five of the Pixies’ studio albums on 24k gold-plated CDs and Blu-ray discs, a
DVD and Blu-ray of the band’s previously unreleased 1991 performance at
London’s Brixton Academy, all of the group’s videos, a 54-page book of brand
new art created by the award-winning and legendary Vaughan Oliver (the graphic
designer who created all of the artwork that accompanied the Pixies’ studio
albums), and a 22″ X 14″ frameble Giclee print of a stunning photo
taken exclusively for Minotaur by Pixies’ photographer Simon
Larbalestier, the photographer for all of the band’s original albums.
Contents for the Deluxe Edition will include all five Pixies
studio albums – Come on Pilgrim (1987), Surfer Rosa (1988), Doolittle (1989), Bossanova (1990),
and Trompe le Monde (1991) – on the following formats:
24K gold-plated CDs; DVD and Blu-ray discs mastered for 5.1 surround
sound at 24/192 and 24/96, respectively, and two-channel stereo; a DVD and
Blu-ray of the Pixies’ 1991 performance at London’s Brixton Academy, now also
mastered for 5.1 surround sound at 24/192 and 24/96 respectively.
Minotaur will be available for pre-order
starting today, June 15, 2009 at www.ainr.com.
The Minotaur Deluxe Edition will retail for $175, while
the Minotaur Limited Edition will be priced at $495; both will
ship directly to the purchaser between late-September and mid-October.
my expectations. I thought it was going to be your typical box set, but
it’s monstrous, I’ve never seen anything like it.”
— Pixies’ David
The Pixies have been acclaimed as the most influential
pioneering band of the late 80s alt/rock movement. They recorded five
studio albums between 1987 and 1991, creating a body of work that spawned many
alt/rock radio standards, and influenced countless subsequent bands, including
Nirvana, Pearl Jam and Radiohead.
Minotaur was spearheaded by Jeff Anderson,
founder of A+R (Artist in Residence), who has put together expansive and
eye-catching collector’s sets for Nine Inch Nails, Beck, and Sigur Ros.
Nearly a year ago, he took the first steps towards what would reunite
what some have called the 4AD Records’ “dream team” – award-winning
graphic designer Vaughan Oliver, gifted photographer Simon Larbalestier, and
the music of the Pixies. What soon followed was the idea of Vaughan
people who used to buy the vinyl records from 4AD, they didn’t even know who
the band was, they just bought the vinyl so they could have the artwork of Vaughan Oliver.” — Pixies’ Kim Deal
After discussing the project with Anderson, Oliver came up with an intriguing
idea. “I said, ‘That was then, this is now. Why don’t we do a
whole new body of work? It’s all born of the same lyrics and albums -it
would be evolving the ideas we had in theoriginal packages.’ I worked
with the same photographer who I worked with back then, Simon Larbalestier.
If there were a ‘fifth Pixie,’ it would have been Simon – his work so
suited what they were doing. Simon’s gone out and shot a whole new body
of work. He was a bit panicked at first, he said, ‘The old sleeves – with
the topless Spanish dancer, the red planet – have become iconic.’ I said
to Simon, ‘Don’t be scared. Icons are there to be shot down.
There’s the challenge. You’re 20 years on, you’re a better
photographer. Let’s take all those same inspirations and create a new
body of work.’ Subsequently, he’s shot some amazing images that I think
will surpass what we did first time around.”
Now, nearly 20 years after the release of the Pixies final
studio album, Oliver, recognized as one of the most innovative graphic
designers of the past thirty years, and Larbalestier are using the same music
as inspiration, but applying a 21st century perspective to create a complete
new body of art and designs for Minotaur’s Deluxe and Limited Edition uber-sets
– the outer casings, CD, vinyl and DVD sleeves and the inside boxes that
house them, the four-color, hard- and soft-bound fine art books, the two
oversized wall posters and more.
Oliver, working as designer-in-residence at the UK’s University of the Creative Arts in Epsom, Surrey, enlisted some of his students to work on Minotaur.
The students experimented with typography in a spatial and expressive
fashion using work as image, information as illustration, using a wide variety
of techniques and materials (including construction nails), to create stunning
and unconventional graphic responses to Larbalestier’s photography.
Oliver also had one of his students sketch images from the original album
covers, creating the only reference to the original artwork.
Oliver has given Minotaur a total feel, a
total look, rather than a disparate quality of putting into one box five album
packages that were designed at different times under varying circumstances.
“This was an opportunity for us to go back through the
themes and the ideas that we’d covered at the time of the five albums, and
treat them in a deeper, more substantial way,” explained Oliver.
“There was the benefit of retrospect.”
Additionally, Larbalestier approached his photography from a
completely different perspective for Minotaur than he did for the original
Pixies’ album covers. Explained Oliver, “For Minotaur, Simon used
very different techniques. For his original photographs, he shot
exclusively in a studio using a large format camera for what he called a
‘forensic approach,’ everything was very controlled. This time, he used a
point-and-shoot digital camera and shot mostly on location. His new work
is full of power, it carries a very strong visual poetry. Simon has the
ability to imbue the inanimate with emotion, with sensibilities.”
we have a unique relationship with Vaughan.
He’s the only person outside of the band who has ever been allowed to
represent the band in any way, and we’ve given him carte blanche to do
that.” — Frank Black
Video press release for the box: