BY APRIL S. ENGRAM
The Scottish trio is back with their brand of melancholic and dark rock on Nobody Wants To Be Here and Nobody Wants To Leave. For their fourth album lead singer James Graham, guitarist Andy MacFarlane and drummer Mark Devine have returned to their more post-punk sound in comparison to 2012’s No One Can Ever Know, which entered an electronic territory. However, with the loss of two band members, the wall of sound they created is no longer present; Nobody Wants To Leave may not be as formidable, but it’s still menacing.
As a whole the album is quite somber and possesses a mellow thread throughout, with few tracks leaping out of the pack. Instead it’s the subtlety and reserved, dark shifts in tone, or Graham’s unique, nearly inaudible vocals, that tugs at listeners’ ears. Opener “There’s A Girl In The Corner” begins in true Twilight fashion with a simple, slow paced echoed guitar, dark keys and a heavy bass drum. The track’s chorus peaks with a fuzzed out guitar and a loopy synth as Graham repeats “she’s not coming back” for a haunting close. “It Never Was The Same,” “Sometimes I Wished I Could” and the title track are notable songs.
“In Nowheres” and “Nobody” have the heavily distorted guitar of past Twilight efforts. The latter’s simple, repetitive guitar coasts beneath Graham’s vocals before, almost 3 minutes in, the song picks up with an accordion, quiet horn and lead guitar. The understated and well executed change comes just shortly before the track ends. Where the rest of the album resides in Twilight’s stylistic mellow drones, the halfway point introduces “Drown So I Can Watch,” which quite ironically—given the title—is the most fast paced and upbeat track on the album. And in “Sometimes” the rhythmic bass drum is joined by a plucky piano and guitar, Graham’s haunting wails carrying the song to for a calm closing track to the album.
Nobody Wants To Be Here and Nobody Wants To Leave is a welcome return as the band continues to evolve. Though Nobody might not be the album for everyone, given its pervasive gloom, but ultimately Twilight Sad just may have perfected the soundtrack for rainy days.
DOWNLOAD: “There’s A Girl In The Corner,” “Drown So I Can Watch”