BY JENNIFER KELLY
Dan Melchior has certainly played the blues before, both straight and refracted through his own peculiar aesthetic, but he’s rarely attacked them in so direct and sustained a matter as on #The Folksinger#. Over 11 tracks, Melchior plays a stripped-down electric blues wrapped in deathly echo. There are no frills, no instruments beyond guitar and voice and absolutely no irony.
There is, in fact, not much of Melchior, either. He plays these very traditional songs just about exactly the way that Howlin’ Wolf or Son House might approach them, though of course, he is not Howlin’ Wolf or Son House (it is a little disconcerting to hear him, a white British guy, wail, “Wa-aa-aal, I wish to the lord…” in the opening track). Yet the fact remains that Melchior is good at playing this sort of music. His guitar howls and drones and rattles like a locomotive. His hollowed-out voice navigates the spooky, overtone-haunted crevices of the music and tugs the ghosts out from “The Cuckoo” and, especially, late album highlight “Pretty Polly.”
Yet this feels like an album that takes no risks and makes no changes. It goes on, song to song, without much variation, until it ends. There’s none of the restless intelligence, the impatience with easy answers, the experimentation with tone and song structure and sound that distinguish Melchior’s most idiosyncratic and compelling work. If you like electric blues, here it is unadulterated, but that’s all.
DOWNLOAD: “The Cuckoo,” “Pretty Polly”