Cured: The Tale Of Two Imaginary Boys, by Lol Tolhurst

Title: Cured: The Tale Of Two Imaginary Boys

Author: Lol Tolhurst

Publisher: Da Capo Press

Publication Date: October 21, 2016

www.dacapopress.com

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The Upshot: Memoir from the former Cure drummer generally follows the rock-memoir playbook, but with surprisingly engaging frankness. (Watch a clip of Tolhurst reading from his book following the review.)

 BY JOHN B. MOORE

 There are a handful of enigmatic rock stars to come out of the ‘70s and ‘80s that could write truly compelling memoirs. The Cure front man, Robert Smith, is among them. But until he finally puts pen to paper and opens up about his own life, this book from Cure co-founder and former drummer Lol Tolhurst will suffice nicely.

As a childhood friend of Smith, Tolhurst often sought refuge in the much more permissive Smith household, as a way to escape his own family’s problems, most of which stemmed from his cold, unemotional father. Tolhurst and Smith, along with a couple of other friends, all punks and early-version goths in a small town (Crawley, West Essex) dominated by skinheads, escaped their boring lives by going to shows as often as possible and eventually starting their own band in the mid-‘70s.

The line-up changed as they found their sound and started to play gigs beyond their local pub. One of the most memorable is detailed hilariously here as the band, mainly playing noisy, punk originals, was booked to play at a staff party for local nurses and doctors. They’re sound eventually found an audience in London and other college towns across Europe when the band started touring behind their first record in 1979.

While there are plenty of life-in-a-rock-band stories here, including a few humorous anecdotes around opening for Billy Idol’s Generation X and run-ins with other bands, what makes The Cured so compelling is Tolhurst’s frankness in detailing his own personal struggles with alcohol and an ill-fated lawsuit against Smith and the band after he is asked to leave the group in 1982, at the height of his struggle with his addiction. Unlike many who use memories as a way to lash out at those they feel have wronged them over the years, Tolhurst uses his as an opportunity to self-reflect and highlight the opportunities he was given thanks to his time in one of the most influential post-punk bands to come out of England.

While this may not be the definitive Cure bio, it’s nonetheless a compelling, often touching story coming from a somewhat unlikely source.

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