This one will have him as Man Forever, collaborating with So Percussion.
By Blurt Staff
Just a couple of days ago word arrived that the J. Spaceman-Kid Millions live summit from last fall would be released as a special Record Store Day 2014 vinyl title. Meanwhile, it was just announced that Millions (whose mom knows him as John Colpitts) is hooking up with So Percussion for a project. Millions will operating under his Man Forever moniker, in fact, and the record is called Ryonen, due April 8 on Thrill Jockey.
Some details, courtesy the label:
Man Forever has hosted an impressive list of guest performers, but few have been as specially qualified to perform Colpitts’ technically challenging meditative workouts as So Percussion, the United States’ premiere contemporary percussion ensemble. So Percussion has commissioned and premiered new compositions by Steve Reich and their interpretations of John Cage have revolutionized the legendary composer’s cannon. Following a collaborative performance at the Metropolitan Museum of Art in New York in June of 2013, So and Colpitts entered the studio together to record Ryonen, two pieces that combine the former’s precision and ingenuity with the latter’s restless punk spirit. While previous Man Forever records were inspired by blissful, overwhelming confusion, Ryonen derives its power from its clarity and immediacy.
The two pieces on Ryonen are rhythmically seductive and instantly exciting while retaining the experimental legacy that Man Forever has cultivated over several albums and relentless touring. “The Clear Realization” is an exploration in polyrhythm performed on two drums sets, two sets of bongos (an instrument Colpitts rediscovered while performing with Yo La Tengo on Late Night with Jimmy Fallon), a concert bass drum, snares, crash cymbals, and vocals. Each instrument is performing in a different time signature at the same tempo, creating a beat that is both propulsive and nonpredictive. “Ryonen” is more chaotic on the surface, but repetitions and rhythms hidden beneath the surface emerge with close listening. The drums are tuned to resonate with each other, creating a series of overtones that hover over the music and provide a baseline drone for the ensemble to harmonize with during the piece’s dramatic climax.