Killer track by the power pop auteur plucked from upcoming album, due out Sept. 28. We think they got it…
By John B. Moore
As tough a facade as we occasionally put up here at BLURT, even we can’t resist a Sweet, perfectly-crafted power pop song. So, when Paul Collins—musician, producer, and author—asked us if we wanted to premiere “Go,” from his newest album, Out of My Head, we said “hell, yes!” Check it out:
“’Go” is the second video we have shot for the album and, like the record, it’s straight from the hip,” said Collins, who of course played in pioneering outfits The Nerves and The Beat before going solo. “Our good buddy, Derek Davidson, rented a high-end video camera and we knocked it out in three hours. We wanted something live and fresh, kinda like Van Halen’s ‘Jump’ but without all the production. I think we got it!”Paul Collins’ Out of My Head will be available on limited edition vinyl, CD, digital, and streaming formats September 28th, via Alive Naturalsound Records.
And for wax fans, here’s a link to order the beautiful, limited starburst vinyl. It’s limited to just 200 copies, so don’t procrastinate…
Gifted Aussie keyboardist had a long, illustrious tenure with the Bad Seeds since the early ’90s. He’s pictured above, second from right. Below, watch a pair of videos and listen to a unique vocal performance with the Bad Seeds.
By Fred Mills
Having been fortunate enough to see Nick Cave & the Bad Seeds twice in recent years, it hits hard to learn of their veteran keyboardist Conway Savage’s passing yesterday (Sept. 2) from a brain tumor. He was only 58. Savage had been diagnosed in 2017 with the illness, and it prevented him from performing with the band for much of the Skeleton Key tour.
At the NickCave.com site, the following announcement was posted:
Our beloved Conway passed away on Sunday evening. A member of Bad Seeds for nearly thirty years, Conway was the anarchic thread that ran through the band’s live performances. He was much loved by everyone, band members and fans alike. Irascible, funny, terrifying, sentimental, warm-hearted, gentle, acerbic, honest, genuine – he was all of these things and quite literally “had the gift of a golden voice,” high and sweet and drenched in soul. On a drunken night, at four in the morning, in a hotel bar in Cologne, Conway sat at the piano and sang Streets of Laredo to us, in his sweet, melancholy style and stopped the world for a moment. There wasn’t a dry eye in the house. Goodbye Conway, there isn’t a dry eye in the house. Love, Nick and the Bad Seeds.
An extensive biography for Savage, that also details his numerous solo albums and other bands over the years, can be found here. Meanwhile, check out a few choice video moments, below – note that the third clip, a Bad Seeds montage, is for “The Willow Garden,” originally the B-side for “Where The Wild Roses Grow,” which was sung by none other than Savage himself. R.I.P., good sir.
“No Want” from the garage monsters’ new album “Wasteland,” due this month from Hound Dawg Records. Think: every band that aspired to be on Nuggets but was deemed “too insane.”
By Uncle Blurt
Subject header says it all: this Japanese garage outfit returns for a 20th anniversary celebration, after a considerable absence from the record store bins, on September 28 via the estimable Hound Dawg! label, straight outta Germany. Wasteland is the title, and you will need no convincing that this album (on both black and limited edition gold vinyl) is worth lining up for at your local independent record dealer’s doors. Just check out the INSANE video for key track “No Want.” It’ll have you stage diving from the relative safety of your living room…
Before Drive-By Truckers, Mike Cooley and Patterson Hood formed Adam’s House Cat in the Muscle Shoals area of Alabama in 1985. Their songs and friendship became the foundation on which DBT was built. Their one and only “lost” album from 1990 was remixed by David Barbe, remastered by Greg Calbi and is now available for the first time with archival photos and extensive liner notes from Patterson Hood.
Town Burned Down is hitting stores on September 21 on vinyl, and the yellow wax version is available for pre-order now. Below, check out a few tunes that had previously found their way to YouTube.
It wasn’t too long ago when we posted about incredible NYC psych/jazz outfit Dadalon, including some sharp live studio footage. Now the band has a striking new video for the song “D Major” that appears on their eponymous debut.
Phoenix outfit takes a l’il sonic vacation to sunny Florida and hops in a tanning booth….
By Blurt Staff
sure if you’ve heard this yet, but the guy currently squatting in the White House is a real asshole – I mean, seriously, a racist, misogynistic, egotistical dullard appealing to the worst instincts of humanity – so, not a cool guy. The Phoenix-based band Wyves may have caught on to him as well, as they just put out a stellar, rollicking slice of satire with their new single, “Mar-a-Lago,” is a sweet little tune written in the first person as Donald Trump.
“Instead of just talking about how horrible or absurd he is in literal terms, I wanted to take an approach like “A Day In The Life” or “Sympathy For The Devil” to highlight his ridiculous ways by boasting about his base loves about him,” says Wyves singer Corey Gloden “This includes him going to Mar-a-Lago on the weekends to play golf with world leaders and business partners. I wanted the chorus to read like a brochure and like an 80’s tropical beach song in a major key, like “Kokomo”, offset with dark cryptic lyrics.”
The band was cool enough to let us bring it to you for the premier.
The song is off their new record, R U OK? Listen to “Mar-a-Lago”:
Wyves formed in 2015 and released their debut album, Spoils of War, the next year. That first single (sharing a name with the album title) was named #1 single of 2016 by the Phoenix News Times. Over their three years of existence, the band has shared the stage at festivals and as direct support with acts such as Gary Clark Jr, Dr. Dog, Govt. Mule, Juliette Lewis, and many more.
North Carolina indie rock godfather serves up a gem of a flashback. (Photo credit: Daniel Coston)
By Fred Mills
As North Carolina’s Chris Stamey quips, “Here it is, the followup to my first single, ‘The Summer Sun’—after only 41 years!”
The songwriter/rocker/producer is talking about “Greenboro Days,” which we here at BLURT are honored to be able to present to our readership. I’ve been a fan ever since the mid ‘70s, when he emerged as one of indie-rock’s earliest movers and shakers with his outfit Sneakers. Since then he’s consistently delivered the sonic goods, and this new track is no exception, so check it out:
The folk-pop tune’s available now at Spotify as well as Amazon. It was produced by Chris and Jeff Crawford and features Dan Davis (drums) and Jason Foureman (acoustic bass), plus John Teer from Chatham County Line on fiddle and mandolin, and Peter Holsapple from The dB’s (who also has a new record out, the Omnivore-issued Game Day album) on harmony vocals. (The tune will tweak the memories of longtime Stamey/Holsapple watchers who have the pair’s Mavericks collaboration from the ‘90s.) According to Chris, “’Greensboro Days’ is a folk-rock lament about traveling from summer into autumn, on steel wheels.” Those steel wheels can be viewed in the accompanying lyric video, which is considerably more than just a typical “lyric video”:
“Greensboro Days,” then, makes for a fitting followup to Chris’ “Summer Sun” single from ’77. It’s released on Stamey’s recently reactivated Car Records label, which released some true gems in the late ‘70s from Holsapple, Stamey and The dB’s, Big Star’s Chris Bell, and Sneakers. It’s more than appropriate, considering the back pages Chris recently thumbed through in his A Spy in the House of Loud musical memoir. The city of Greensboro is just a few miles from where Chris grew up, in Winston-Salem, and it played an influential role during the late ‘70s and early ‘80s when the North Carolina indie scene—and Stamey himself—was establishing its musical footing. And speaking of the Car label: He also has plans to release a new solo album, The Great Escape, via Car in early 2019, so keep your eyes peeled for that.
Incidentally, fans wanting to dive a bit deeper into “Greensboro” can snag a free download of Chris’ sheet music for the song at THIS LINK that he kindly provided. The sheet music is from his songbook New Songs for the 20th Century.
Rockin’ two-track advance teaser for Nashville band’s upcoming full-length.
BY FRED MILLS
Self-described as “a collaborative rock & roll effort,” Nashville-based Sour Ops here serves up a righteously rockin’ slab of 12” wax, “Phonograph” b/w “Mind Like Glue” courtesy Feralette Media. On the “Phonograph” A-side, the group is paying tribute to, you guessed it, the joys of recording for, pressing up on, and listening to, vinyl. Gee, how’d they figure out BLURT might be predisposed to liking this ditty?—which, sonically speaking, is a tight-but-loose chip-off-the-ol’-Stooges/MC5-block. (Listen close, and you might also here a couple of sneaky Stones licks in there as well.)
Over on the flip, “Mind Like Glue” picks up the baton and bolts with it via a crunchy, riff-powered progression that marks the band as latterday sons of Nuggets. Which comes as no huge surprise, considering the bandmembers list Panther Burns, Snakehips, the Upstairs Party, Botswanas, and Sixty-Nine Tribe on their collective C.V. Led by guitarist Price Harrison (who also heads up the Feralette label, which has previously brought us music from Snakehips, Marshall Chapman, Boo Ray, and Palmyra Delran), Sour Ops has a full length, Family Circuit, due out in late October, and this limited edition single makes for quite a fine teaser.
Resident Blurt editor also has direct experience with legendary title’s sales history…
By Uncle Blurt
The news about a Canadian copy of Prince’s The Black Album, from 1987 and cancelled for release by The Artist and Warner Bros., selling on music marketplace Discogs.com for $27,500 did not escape our attention. As Noisey.com reports:
“This record-breaking copy of The Black Album isn’t the most expensive Black Album ever sold—a sealed copy went for $42,298 earlier this year—but it is special. It was salvaged from the vinyl slaughter by a pressing plant employee in Canada, who had no idea of its value until five sealed American copies of the album surfaced in 2016. The unnamed man then contacted Jeff Gold, a former executive VP at Warner who now runs a music memorabilia store.”
Indeed, the aforementioned Prince vinyl has always been a sought-after artifact in its original, unreleased state, and a hot item among vinyl and CD bootleggers, not to mention digital file swappers. (It’s readily available these days among file traders despite Prince and his estate’s efforts to the contrary.) No less than Blurt Editor Fred Mills reports, “A number of years ago, long before the record saw official release on CD, I had bought a vinyl bootleg of it, complete with solid black artwork and sticker title, at a record swap show. Ultimately, during a purge of my record collection – I had always thought of Black Album as more of a curiosity than a ‘real’ Prince album, what with so many throwaway tunes, and that Prince himself had made the right call in yanking it – a ‘friend of mine, whose name I forget’ sold that bootleg copy for in the neighborhood of $400. Gee, who was that? I must have been drunk when I loaned it to him/her… And that was just for a bootleg. i would venture a guess that $27k for an actual copy of the real deal, while excessive by my personal budget standards, is about right.”
Available at random download sites, depending on the state of Prince estate whack-a-mole efforts…
Terrific tune culled from eponymous album, due out this week on Omnivore. Above: Jason Falkner and John Brodeur.
By Fred Mills
Brooklyn-based John Brodeur has been releasing top-shelf pop records for a number of years now, and in his current incarnation as Bird Streets and new album Bird Streets he’s knocking the ball out of the park. The album was produced by the mighty Jason Falkner (Jellyfish, Beck, etc.), who also plays on it and shares co-writing credit with Brodeur on all but two tracks. It drops August 10 via Omnivore, and we are extremely pleased to be able to unveil a track for our readership. Check out “Carry Me”:
Sings Brodeur, tellingly,
“Let’s raise a toast my friends To new beginnings and bitter ends Flip the hourglass again ‘Cause morning’s breaking soon…”
Brodeur comments on the song, saying, “I left Falkner’s place one evening having been instructed to return with ‘something that rocks.’ This old lyric full of car crashes and explosions seemed to fit the bill. We knew almost immediately that ‘Carry Me’ was going to open the record, it just had this undeniable vibe. In a way, it was the first Bird Streets song—the one that made me realize we weren’t making just another John Brodeur record.”
The record was primarily produced and recorded at Rhetoric studio in Los Angeles, and among the other musicians appearing on the record are Miranda Lee Richards and Luther Russell.
Both Brodeur and Falkner will be appearing onstage together for some shows August 25-26 in Los Angeles; joining them will be bassist Keith Hosmer and drummer Ben Lecourt. Brodeur’s official album release party will be August 9 in NYC, and you can keep track of the shows at his Bird Streets website.