2nd gen garage/psych monsters, now based in Germany, deliver a sonic shiv guaranteed to leave you in some knida “condition”,,, Check out some choice audio, below.
BY BARRY ST. VITUS
Be very excited, or perhaps, scared stiff, as the night-lurching Morlocks have returned from suspended animation with an explosive new album of soul-shredding raucous ‘n’ roll.
No matter their rotating line-ups over the decades, Leighton Koizumi and his band of Morlocks have continuously stood out as the most twisted fuck-ups, and undisputed champs of Gen.II of the ‘60’s punk and garage genre. Their sound has always stayed true to their school of The Stooges, MC5, Wayne/Jayne County and the Electric Chairs and so on. You know, the Good Stuff. With those influences, the absence of puny paisley pop, and Leighton’s ferocious puma-growl vocals, their live shows have never failed to decimate their audiences.
Based now in Germany, The Morlocks’ B.O.T.M.C. is the first new album is eight years, since the well-played The Morlocks Play Chess, ripping singeing covers of classic songs from the label. Now, assembled in studios in ‘various secret locations,’ an exceptional assemblage of heavy hitters; Marcello Salis –guitar (Gravedigger V,) drummer Rob Louwers (Q65, Link Wray, Fuzztones,) Oliver Pilsner – bass (Fuzztones,) and Bernadette –guitar (The Humpers.) Ex-Dirtbombs bassist, Jim Diamond produces, bringing a Motor City greasiness to the project. He also produced early White Stripes stuff. The end project is 34 minutes of ear-blasting, eye-popping and mind-mangling originals.
The mangling starts with “Bothering Me,” a late-sixties-era Stones-type basher that’s infectious in the extreme. “We Can Get Together,” struts off into N.Y. Dolls territory, keeping the high energy up. “Heart of Darkness,” really knocked me over, a very “Repo Man” kind of vibe going on. With maturity, Leighton’s voice has mellowed down to Iggy’s baritone level, like a charcoal-lined keg of aged whiskey. The first truly garage-punk number presented is “No One Rides For Free,” sounding like something Jayne County might do. Dirty blues-tinged punk is served up next with ”Down Underground.”
“Time To Move” really whips things up in a Iggy/Stones-flavored mash-up that will most likely kick your ass to Mars. “One Foot In the Grave” rides pretty close to classic Morlocks material, with lots of snarl and slathered with Iggy and Flamin’ Groovies attitude. The first real fuzz-bomb to drop is “High Tide Killer,” which is reminiscent of a lot of the stuff exploding out of Sweden in the ‘80’s. Killer indeed! The hyper-energetic “Easy Action” is led off by a long drum beat intro, then power chords, and having the flavor of the Saints throughout, really cranking up the power-juice. The album closes with perhaps the best of the batch, a song that anyone who ever caught The Morlocks live in the ‘80’s will certainly remember, “You Don’t Know” which has been dusted off and polished to a high sheen, as well as tricked out with some of that electric jug sound innovated by the Elevators. This one is a real gem, folks!
All said and done, B.O.T.M.C. makes for an outrageous return for The Morlocks, and is easily their most sterling work to date. The material, the playing, and the production are incomparable in this genre or other hard-rock of late. The album could proudly take its place on the record shelf next to the catalog of almost all of the aforementioned bands and pretty much hold it’s own. Substance-wise it lives up to what it aspires to.
DOWNLOAD: “You Don’t Know,” “Heart of Darkness,” “High Tide Killer,” and “Easy Action.“