Category Archives: Video

Exclusive Video: Jah Wobble & Invaders of the Heart Live Brooklyn 10/26/18

TEXT, PHOTOS, & VIDEO BY JONATHAN LEVITT

On October 26th Jah Wobble and his Invaders of the Heart took the stage at Brooklyn’s Elsewhere club and proceeded to give one of the best concerts I’ve ever attended. The crowd was made up of mainly music industry insiders and a smattering of musicians from both the US and Japan.  Jah Wobble who was the bassist for PIL was not only hilarious with his banter but fronted a smoking hot group of musicians that just blew me away.

The drummer was pure military precision, and extremely versatile as well. The guitarist could play anything and make it sound great. The keyboardist was a virtuoso on the instrument and perfectly punctuated certain moments in the songs. Jah showed what an amazing player he is as well veering from dub, to the world music transcendental meditations to a bit of comedy between numbers. Jah even managed to throw some PIL songs into the mix.

 

The show ended with Bill Laswell joining the Invaders of the heart for two songs of throb-heavy psychedelic jazzified mind-bending music. The sound in the club was amazing. For the first time in as long as I can remember, I could hear every instrument tunneling through to me. The mix was incredible because as the sounds hit you they morphed into this groovy organic mass that made you wanna live forever in the moment.

Through the kindness of Jah’s people I was able to get some incredible footage, below, to share with Blurt readers. Jah is currently recording his new album with Bill Laswell in New Jersey. If you get a chance to see Señor Wobble in concert it is an unforgettable experience.

 

Video Interview Exclusive: Thee Hypnotics (in Paris)

VIDEO INTERVIEW BY KIM PHOUNG (more photos/videos: @the_real_kimder)

Ed. note: Our resident Thee Hypnotics fan on the ground in Paris, Kim “Cold Blooded Love” Phoung, recently posted an awesome photo gallery documenting the UK legends’ September 19 performance at Petit Bain in Paris, and now we have the astute correspondent’s post-gig video interview with the group. Check it out below, and special thanks to longtime BLURT staffer Jonathan “Justice in Freedom” Levitt for being our official T.H. liaison and getting this rolling. (Go HERE to read a vintage interview with the band, and HERE for an interview and look at one of the band’s classic albums.)

 

Video Premiere: Fine Lines “Morning Sun”

Young Music City indie rock quartet submits dreamy standout from recent debut album.

 By John B. Moore

The Nashville-based foursome Fine Lines technically may still be the new kids in town – together for under two years – but damn, have they managed to zero on an impressive sound during that short period of time. Made up of refugees from the Alabama and Indiana music scenes, the band’s members came together in Music City, USA and quickly got to work on their debut record, Contact.

After listening to this stellar album, we are stoked to premiere a video for their single “Morning Sun.”

“”Morning Sun” is a song I wrote one snowy weekend while visiting my hometown of Indianapolis,” says singer/guitarist Chris Probasco. “It’s about leaving a place that was once familiar and returning to feel like a stranger. It’s about finding companionship in that loneliness.

The video was shot live in the East Nashville home studio of Don Bates as a part of his “Around the House” series. Don, who was also the engineer on our album, Contact, set the band up in his living-room-turned-studio and operated a single camera, capturing the band in a completely unique setting.”

Along with Probasco, Fine Lines also includes bassist Dustyn Roth, singer/songwriter and guitarist B.L. Reed, and drummer James Thompson.

The band has two upcoming shows, November 9th at Ghost Train Brewing Co. in Birmingham, AL and December 16th at Reggie’s in Chicago. Tour dates and more: https://finelinesband.com/home

 

Video Premiere: Brett Newski “Life Upside Down”

Title track from the indie wunderkind’s album of the same name—guaranteed to make you feel great and NOT anxious, yo. (Go HERE to read Newski’s awesome 2016 essay for Blurt, “The 7 Best Countries & 3 to Avoid for Traveling Musicians.”)

By John B. Moore

Brett Newski, along with being wildly talented, Willie Nelson-level prolific and a favorite here at Blurt Magazine, is also the epitome of DIY (we’re talking 1980’s hardcore punk rockers who booked their own shows, handmade their merch and cut, pasted, folded and packed every album they every made-type of DIY). The kid is making his bones, regularly trekking across the globe  to play shows in some dude’s living room or getting snagged by someone like the Violent Femmes or The new Pornographers to open their shows. So when he asked us if we’d be cool hosting the video for the title track off his new album, Life Upside Down, we said “Fuck that! We’re gonna interview you as well.”

So as he packed for a  long tour that will take him across Europe and back to the U.S. for a slew of shows, he sighed (I’m assuming – this was all handled via e-mail) and said “sure thing. What do you want to know?” (Again, assuming here. It’s not like we’re Bob Woodward with endless hours of tapes here).

It seems like your last EP, The Stars Are As Good as A Nightlight, just came out. Are you just having a wildly prolific period at the moment
I hit burnout two years ago after playing some 600 shows in three years. After a break and finding a girl who really stabilized my brain, I’m ready to get after it again. I had to get back to the reason I started doing this in the first place, catharsis and fun.

Sonically “Life Upside Down” is a very ’90s sounding record channeling a few of my first influences (early Weezer, early Green Day, Gin Blossoms, Better Than Ezra, early BNL, old school BECK)…and more recent influences (Nada Surf, Frank Turner, New Pornographers, Delta Spirit, BEN Kweller, Manchester Orchestra)

You have not been shy in the past of  talking about your anxieties (thank you for that, by the way). Do any of the songs on this new record address those feelings?

There are a few “anti-anxiety songs” on every record. Now as the number of songs in the world moves toward infinity, I want the songs on “Life Upside Down” to have utilitarian value as well. If they are disposable, I am not doing my job.

You’ve been kicked out of Wal-Mart for playing and recording and successfully played a Dollar Store, if I remember correctly. Any other retail sites on your bucket list? 

 Yes, sir. Kmart, Best Buy, Aldi, IKEA, McDonald’s and the neighborhood Greek restaurant. We get kicked out of almost every pop up show we do. We call this series DORK ROCK BUM RUSH. Most people enjoy it, but the staff typically wants us dead.

You seem to be constantly be on the road. How much time off have you taken the past few years?
I don’t take off-time other than a lazy Sunday here and there. Work is a medicine that combats my worries and keeps them in check. However it’s important to not work too much, because you generally hit a point of diminishing returns after 8-10 hours of work per day. Once you do that, you’re hurting yourself professionally and also in your brain and your relationships.

You’re about to tour Europe. What’s next for you?
Johnny B! Coming to visit you in Philly, November 15! We have a pretty hectic ‘n long Euro and US tour on the books. I’m working with my friend Paul Langton in America. He’s a brilliant radio promoter from Boston and we have a very similar taste pallette in music.
Plans for any additional new music?

I’m working on my first book actually!

One of my dream albums is to post up in Cuba for a month and make a lo-fi album with only a cell phone. Would that be neat? Also I have been working with my drummer/collaborator SPATOLA on more albums. He is amazing and he looks just like Dave Grohl.

 

***

Brett is in Europe for the next few weeks and then will kick off US dates starting October 26 with a special album release show in Milwaukee. Check out his official website for upcoming dates (https://brettnewski.com/)… or don’t. Suit yourself; It’s not my fault if you don’t like good music.

Video Premiere: Paul Collins’ “Go”

Killer track by the power pop auteur plucked from upcoming album, due out Sept. 28. We think they got it…

By John B. Moore

As tough a facade as we occasionally put up here at BLURT, even we can’t resist a Sweet, perfectly-crafted power pop song. So, when Paul Collins—musician, producer, and author—asked us if we wanted to premiere “Go,” from his newest album, Out of My Head, we said “hell, yes!” Check it out:

“’Go” is the second video we have shot for the album and, like the record, it’s straight from the hip,” said Collins, who of course played in pioneering outfits The Nerves and The Beat before going solo. “Our good buddy, Derek Davidson, rented a high-end video camera and we knocked it out in three hours. We wanted something live and fresh, kinda like Van Halen’s ‘Jump’ but without all the production. I think we got it!”Paul Collins’ Out of My Head will be available on limited edition vinyl, CD, digital, and streaming formats September 28th, via Alive Naturalsound Records.

And for wax fans, here’s a link to order the beautiful, limited starburst vinyl. It’s limited to just 200 copies, so don’t procrastinate…

Watch Raucous New Vid from Japan’s King Brothers

HOUND GAWD! RECORDS

“No Want” from the garage monsters’ new album “Wasteland,” due this month from Hound Dawg Records. Think: every band that aspired to be on Nuggets but was deemed “too insane.”

By Uncle Blurt

Subject header says it all: this Japanese garage outfit returns for a 20th anniversary celebration, after a considerable absence from the record store bins, on September 28 via the estimable Hound Dawg! label, straight outta Germany. Wasteland is the title, and you will need no convincing that this album (on both black and limited edition gold vinyl) is worth lining up for at your local independent record dealer’s doors. Just check out the INSANE video for key track “No Want.” It’ll have you stage diving from the relative safety of your living room…

Video Premiere: Willie Nile “Earth Blues”

Stompin’ tune taken from latest album Children of Paradise. (Photo by Cristina Arrigoni)

By Fred Mills

“I wanted it to feel like Judgment Day.”

That’s veteran rocker Willie Nile, on his song “Earth Blues,” an apocalyptic-lined powerhouse of a number even by Nile’s own blazing standards. And it’s no surprise, either, as his new Children of Paradise album (released July 27 on his own River House label) is a relentless, topical look at the turbulent darkness that currently engulfs us, what with tracks like “Getting’ Ugly Out There,” “Seeds of a Revolution,” and “All Dressed Up and No Place to Go.”

We’re pretty stoked to be able to premiere the video for “Earth Blues.” It was directed by Ehud Lazin, and Nile notes that he “filmed a show in June in Asbury Park, NJ, and used footage from that along with shots of the environmental chaos going on around the world. Lazin did a great job directing it. It’s got all the things I like about rock ‘n’ roll. It’s heartfelt, pissed off, in love, on fire, and out of its mind all at the same time.” Check it out:

Of the song, Nile says, “I wanted to give the earth a voice with all the chaos that’s going on with it. The ocean level’s rising, the weather’s changing for the worse and the climate for living a decent life here is going to hell. There’s a mass of plastic garbage the size of Texas floating in the Pacific Ocean for cryin’ out loud! A hundred years from now, the people responsible for letting it fall into ruin will be long gone and won’t give a damn and our descendants will be left to suffer and deal with the darkness and difficulties to come. They do it all for the money and nothing else, and our grandchildren and great grandchildren are going to have to pay for it. It’s not right and it’s not ok. That’s why I wrote ‘Earth Blues.’ I wanted to write a rocker with an anthemic chorus and I’m thrilled with how it came out. The band was on fire the day we cut it. I wanted it to feel like Judgment Day.”

Indeed it does, sir.

Nile’s 12th studio album was co-produced with Stewart Lerman (Elvis Costello, Patti Smith, Norah Jones) and cut with his crack live band (guitarist Matt Hogan, bassist Johnny Pisano, drummer Jon Weber). Also on the album are guitarist/multi-instrumentalist Steuart Smith (Eagles/Rosanne Cash/Rodney Crowell) and keyboardist Andy Burton (John Mayer/Rufus Wainwright/Ian Hunter), plus backing vocals by singer-songwriter James Maddock, Leslie Mendelson (Bob Weir), and Frankie Lee.

Nile recently wrapped up a short tour but plan on seeing him back on the road soon starting in mid-August—you can keep track of him via his Facebook page and his Instagram account, and of course at WillieNile.com. You can also check out a 2016 interview, “Storming the Gates,” here at BLURT, as well as one we published in 2013, “On the Right Path.” Needless to say we’re pretty big Nile fans around here…

Incoming: Debut LP from Charleston’s Artisanals

Check out the remarkable ‘shroom-fueled video for a key track from the album, which arrives Sept. 21. Tour dates at the bottom.

By Fred Mills

They’re called the Artisanals, they hail from Charleston, SC (where the once-sleepy tourist town now boasts a thriving indie rock music scene), and no less an artist than Band of Horses’ frontman Ben Bridwell is a major fan and supporter. The group features Johnny Delaware, late of SUSTO, but more important is the fact that their long-playing eponymous debut is stuffed with some of the most memorable rock ‘n’ roll you’ll hear all year, with sonic and songwriting touchstones ranging from Tom Petty and Bruce Springsteen to Dawes and the aforementioned Band of Horses.

Check out the Zach Hellmuth-directed video for album track “Drag,” below, for an advance taste, and mark your calendars for Sept. 21, when the album arrives via AWAL. You can also preorder it at the band’s PledgeMusic campaign.

Tour Dates:

9/19 – Boca Raton, Fla. – Funky Biscuit +

9/20 – Tampa, Fla. – The Attic +

9/22 – Gainesville, Fla. – Heartwood Soundstage +

9/23 – Jacksonville, Fla. – Jack Rabbits +

9/26 – Louisville, Kentucky – WFPK Waterfront Wednesday %

9/27 – Asheville, North Carolina – Salvage Station +

9/28 – Charlotte, North Carolina – Evening Muse +

9/29 – Charleston, South Carolina – Charleston Pour House # +

10/2 – Washington, D.C. – Black Cat +

10/3 – New Haven, Conn. – Café Nine +

10/4 – New York, New York – Bowery Electric +

10/6 – Rehoboth Beach, Del. – Dogfish Head Brewings +

10/7 – Philadelphia, Penn. – 118 North +

10/8 – Asbury Park, New Jersey – Wonder Bar

10/9 – Charlottesville, Virginia – The Southern ^

10/10 – Richmond, Virginia – The Camel +

10/11 – Carrboro, North Carolina – Cat’s Cradle +

10/13 – Atlanta, Georgia – The Earl

% with Car Seat Headrest

+ with the High Divers

^ with Amanda Anne Platt and the Honeycutters

# with Dega

Sherry Ryan / Darren “Boobie” Browne 5/25/18, Toronto

Dates: May 25, 2018

Location: The Burdock, Toronto ON

Live at The Burdock, and a night of Canadian musical community.

TEXT/PHOTOS BY ERIC THOM

I have family who hails from Halifax, so I know a thing or two about the close-knit sense of community inherent to those who live on our proud East Coast. However, there’s something even closer to be found amongst the people who call Newfoundland their home. It’s an intensified existence in which the land and the people are one, bound together in celebration of the sweet blend of harsh conditions and jaw-dropping beauty that is everyday life. Sherry Ryan hails from Middle Cove, just north of St. John’s – and it shows on so many levels in her art form.

Born of the traditional Céilidh (from the Scottish Gaelic for ‘kitchen party’) – a coming together of friends, family and often members of the immediate community – the Nerwfoundlanders’ world is grounded in music, good food and a coming together for a group hug. This was richly evident in this show – as Sherry’s sister, Jackie, commandeered a collection of cousins, friends and ex-pats to become a part of this special ‘homecoming’ show. The intimate setting of The Burdock’s music room was ideal for the emotion-fueled evening as Newfoundlanders and otherwise savored the work of this talented duo. Darren “Boobie” Browne, another noted Newfoundland export, provided drop-dead accompaniment on mandolin, supplying deft vocal harmonies to complement each of Sherry’s well-placed notes – creating a surprisingly full band sound in combination with Sherry’s acoustic guitar work, all the more impactful in the rec-room-cozy space. Never was an audience more captured than this.

 

***

Touring to support her fourth release, Wreckhouse, Sherry has long been a special breed of singer-songwriter, effortlessly painting mood-drenched pictures with relatively straight-forward lyrics that benefit from equal parts country and that certain hint of forlorn sadness that comes with the territory. What’s most distinctive is her voice which, as it starts to sink its hooks, has an uncanny resemblance to Anne Murray’s in its clear, confident alto (with an implied debt to Kitty Wells and Patsy Cline). Yet, her material has nothing to do with the pop-country backdrop of “Snowbird” – offering, instead, strong local imagery, the heartache of torn relationships, folklore – real and imagined and the laments inherent in the passing of time. The album’s title– “Wreckhouse” – refers to a true tale of the ill-fated Newfoundland railway (1882-1997) – and is the name given to car-tipping wind conditions that relied on a local trapper’s weather call to “Stop The Trains” (one of the album’s crowning jewels and co-written with her late Dad), thereby protecting them from nature’s wrath. Having more in common with John Prine than Anne Murray, this homegrown masterpiece represents the essence of Ryan’s talents. Like Prine, she reels you in with her heartfelt stories, a hint of humour and the vocal power to command attention to her every word. The new album, however, is a strong release based on it being a potent ‘band’ record – each original composition basking in the added firepower of pedal steel, guitar, piano, swirls of B3 and background vocals. The acid test for any good song is, however, what was witnessed on this warm, sun-drenched evening – two people, two instruments, strong vocals embellished with remarkably high-register harmonies. The powerful opener (and single) “Natural Law” mined the same country edge of the recorded version, despite the lack of baritone guitar and pedal steel. Browne’s deft skills with electric mandolin created sounds the likes of which I’ve never thought the mandolin was capable of, his vocal harmony adding considerable depth and personality to Ryan’s already powerful lead vocal. The next song, “Ferry Won’t Wait” is an ode to a missed ferry, causing a cancelled concert on Fogo Island in the land that weather rules. The Prine-like “Long-Awaited Question” was born from a breakdown at the Dollar Store that ended with a Tarot Card reading and the end of a relationship. “Cool and Clear”, following the order of the release, relies on piano on the album as yet another breakup song (this time, a friend’s) benefits from its simple, delicate delivery onstage. Again, the heartfelt yet humorous real-life “Stop The Trains” is a loving celebration of the way things were, worsened by the intervention of ‘modern-day improvements’ – to its hilarious conclusion. Jumping ahead to “On Paper”, these two voices created an hypnotic effect of back-and-forth with precious little accompaniment required, yet both guitar and mandolin turning in incredible, colorful textures.

The comparably upbeat “Ain’t Gonna Worry” moved into blues territory, buoyed by quality finger-picking that erupted, with Sherry’s coaching, into a legitimate audience singalong. The following song, “10 Minutes”, documents the distance across town in St. John’s at a torqued-up speed. One of the night’s most stunning songs was the standout “After Whiskey Before Breakfast”, providing Ryan with her Emmylou moment. Slowed down for maximum effect and minus its full serving of recorded pedal steel, this was a downer for the ages (meant in a good way). Much as the full band treatment cues the instant party, it’s this two-player presentation that demonstrates Ryan’s vocal power in its strongest light. Calling up two relatives to join her in a rendition of ”Something Else” (from 2008’s Wonderful Cures), its powerful chorus lit up the room, Ryan’s vocal still able to cut through the full force gale of voices. The natural fit of Ryan’s vocals to Browne’s harmonies was realized in the Carter Family’s “Bury Me Under The Weeping Willow Tree”, underlining Ryan’s understated guitar strengths and Browne’s prowess on mandolin. A compulsory, near-deafening call for an encore yielded a P.E.I. song written by one Gene MacLellan, as she kicked into “Snowbird”, no less – sounding as pure and natural as the Maritimer who made the song so indelible.

These themes of home, hearth and heartbreak suggest a rich upbringing in the sounds of the Carter Family but the fact that she’s a loyal Newfoundlander goes a long way to defining who she really is. She may not be a household name but she’s certainly no diamond in the rough at this point. She’s got a firm grasp of where she wants to go and all the skills to get there.

As for Browne, an integral component of a number of Newfoundland bands (The Burning Hell, The Kubasonics) and a continual, in-demand sideman, his self-released Birth of the Chickenpick (Boobie Browne & The Onions] is well worth hunting down.

Website: http://sherryryan.com/

Videos:

Natural Law

I Made it On My Own

Long Awaited Question