Category Archives: Album Announcement

Back to the Future – 1988, actually – with the c88 Box Set

Raise your hand if you are hoping for the Cud revival to kick in as a result of the release. Meanwhile, listen to the lead track by the eternally brilliant Pooh Sticks, below.

By Uncle Blurt

While veterans of the indie indie wars are likely to tout with pride their owning an original copy of the legendary c86 cassette that the New Musical Express gave away to its readership in, you guessed it, 1986 — yes, I still have mine, safely tucked away in the vault, a guard standing outside 24/7 — a lot of punters don’t think 1988 was so bad, either. Among them, the archivally-minded Cherry Red label is putting its muscle where its mouth is with c88. Instead of a 90 minute cassette, however, it’s a three-CD box set boasting a whopping 72 songs, due in stores June 30.

Artists on c88 include the Stone Roses (but of course!), Pooh Sticks (whose timeless track “On Tape,” above, kicks off the collection), Sea Urchins, Kitchens of Distinction, Darling Buds, Pale Saints, and, er, Cud, among others. The full tracklisting is below, and luckily the twee-to-psych factor is relatively low. Worth noting: this is the followup to the label’s c87 box from last year, which of course was a sequel to Cherry Red’s expanded take on c86. Here’s hoping that by the time they get to the early ’90s the series will taper off before we get to Britpop, as that’s when all things British began to jump the shark.

The Cherry Red product description reads thusly:

C88 is another celebration of the Eighties Indie scene, documenting a golden era when tuneful guitar-based bands made records on shoestring budgets, often issued on small labels with hand-made artwork, with little hope of mainstream exposure. This 3-CD box set follows previous best-selling collections C86 (2014) and C87 (2016). C86 expanded the NME’s genre-defining compilation (initially a cassette, later a vinyl LP on Rough Trade) with 50 extra tracks from the period. C87 was an imaginary sequel, picking up the story a year later. Disc 1 is devoted to artists who haven’t previously graced this series, who – for the most part – first made an impact in 1988. The Stone Roses, Carter USM, Pale Saints and The Mock Turtles would all enjoy mainstream success. Others like The Pooh Sticks, The Man From Delmonte, Bridewell Taxis were cult indie favourites. Sarah Records – which came to epitomise a certain type of Indie Pop – are represented by The Orchids, Another Sunny Day, The Sea Urchins and The Poppyheads (whose ‘Cremation Town’ debuts on CD here). Other key indie labels also figure, such as Creation (Apple Boutique, Pacific, The House Of Love, Emily), 53rd & 3rd (The Groovy Little Numbers, The Vaselines) and The Subway Organization (The Clouds, Rodney Allen, The Flatmates, Bubblegum Splash, etc. ). Disc 2 revisits many of the bands who appeared on C87 with later singles or B-sides, such as the likes of Bob, Cud, The Darling Buds, Kitchens Of Distinction, The Shamen, The Heart Throbs, The Bachelor Pad and other staples of the late 80s Indie scene. New names to the series who appear on C88 include Choo Choo Train, Moss Poles, The Snapdragons, The Wilderness Children, Fat Tulips, Annie & The Aeroplanes, Thrilled Skinny, Murrumbidgee Whalers and many others. Numerous tracks have never been on CD before. The deluxe clamshell package includes a weighty booklet full of illustrations, with an 9,000-word sleeve-note and band-by-band biographies by C86 co-compiler Neil Taylor.


 Disc: 1

  1. On Tape – the Pooh Sticks
  2. Elephant Stone (7″ Version) – the Stone Roses
  3. Where Do You Go (Flexi Version) – the Popguns
  4. (Will Nobody Save) Louise – the Man from Delmonte
  5. Are You Happy Now? (Molesworth Version) – the Charlottes
  6. The Things You Want – the Snapdragons
  7. A Sheltered Life – Carter the Unstoppable Sex Machine
  8. One Summer – Moss Poles
  9. Lies – Bridewell Taxis
  10. Defy the Law – the Orchids
  11. Happy Like Yesterday
  12. The Groovy Little Numbers
  13. Julie Christie – the Driscolls
  14. High – Choo Choo Train
  15. Cremation Town – the Poppyheads
  16. Tattered, Tangled and Torn -Bradford
  17. So Happy to Be Alive-Thrilled Skinny
  18. Sister Goodbye – the Prayers
  19. Anorak City – Another Sunny Day
  20. She’s Gone – the Train Set
  21. Barnoon Hill – Pacific
  22. Forever Holiday (Ediesta Version) – Blow-Up
  23. Mary’s Garden – the Mock Turtles
  24. The Pennine Spitter – King of the Slums
  25. Colours and Shapes (Demo) -Pale Saints
  26. The Ballad of Jet Harris -Apple Boutique


Disc: 2

  1. The Hill – the House of Love
  2. Dying for It – the Vaselines
  3. Kirsty – Bob
  4. Slack Time – Cud
  5. Please Rain Fall – the Sea Urchins
  6. Shame on You – the Darling Buds
  7. Prize – Kitchens of Distinction
  8. Too Many Shadows – the Heart Throbs
  9. Do It for Fun – the Bachelor Pad
  10. They Fell for Words Like Love – Hangman’s Beautiful Daughters
  11. Giving Way to Trains – Murrumbidgee Whalers
  12. What’s Going Down – the Shamen
  13. Heaven Knows – the Flatmates
  14. Spell It Out – the Waltones
  15. Mrs Susan Spence – the Wilderness Children
  16. Yesterday – the Nivens
  17. Real World – Baby Lemonade
  18. Village Green – the Clouds
  19. Fire Escape – Rote Kapelle
  20. Mad Dogs – Emily
  21. The 18:10 to Yeovil Junction – Bubblegum Splash
  22. Michael Furey – Metro Trinity
  23. Theme from Cow – Inspiral Carpets


Disc: 3

  1. Sun, Sea, Sand – the Revolving Paint Dream
  2. Surfaround – the Fizzbombs
  3. Plaster Saint – the Church Grims
  4. Crush the Flowers (Demo) -The Wake
  5. Sunshine Thuggery – the Siddeleys
  6. Clear – Whirl
  7. A Million Zillion Miles -Annie & the Aeroplanes
  8. You Opened Up My Eyes – Fat Tulips
  9. Cincinnati – Holidaymakers
  10. The Camera Loves Me-Would-Be-Goods
  11. Anywhere But Home – the Caretaker Race
  12. Who Works the Weather
  13. The Great Leap Forward
  14. Cubans in the Bluefields-East Village
  15. Bythesea Road – the Haywains
  16. The Old Road Out of Town (12″ Mix) – the Wishing Stones
  17. Shake – the Corn Dollies
  18. Land of Gold – Bluetrain
  19. The Sun Slid Down Behind the Tower – Reserve
  20. Apple of My Eye-Remember Fun
  21. Morning O’Grady – Yeah Jazz
  22. Don’t Bury Me Yet – the Raw Herbs
  23. Curry Crazy – Bad Dream Fancy Dress
  24. On My Way – the Claim
  25. Glastonbury – Rodney Allen

Incoming Vinyl: Limited Reissue of Michael Cerveris’ 2004 “dog eared”

400 copies only, 2LP set, 180-gram wax – make your plans accordingly. Below, listen to a key track from the album.

By Blurt Staff

In 2004, singer Michael Cerveris, former frontman of British band Retriever as well as American outfit Lame, released his solo debut dog eared. It went on to become a cult favorite, notching critical kudos everywhere, such as at Magnet magazine, which lauded the “Anglophile balladry and fuzzbox raunch recalling Big Star and Guided By Voices in equal measure…call it sloppy art for sloppy hearts, it’s damned swell.”

As produced and mixed by veteran studio whiz Adam Lasus, the album featured the performing talents of Corin Tucker, Janet Weiss, Ken Stringfellow, Steve Shelley, Norman Blake (one of the album’s best tracks was Teenage Fanclub’s “Can’t Feel My Soul”), Laura Cantrell, Anders Parker and others, so it was also a bit of an indie rock super session. Cerveris certainly has amassed a following on both sides of the Atlantic over the years, for in addition to the aforementioned bands he was touring guitarist/vocalist for Bob Mould on the 1998 Dog and Pony Show tour, starred in Sweeney Todd on Broadway as well as the title role in Tommy during the late ‘90s, and starred in Hedwig and the Angry Inch on London’s West End, in New York Off Broadway, and in Los Angeles. He also won a Tony Award in 2016 for Fun Home and in 2004 for Assassins on Broadway at Studio 54.

Still, in certain quarters it’s that 2004 album that continues to quicken heart rates—you can check it out at Spotify and find out exactly why. It is truly a lost gem that has lost none of its pop lustre in the decade-plus since it was originally released.

Long out of print physically, it’s now being resurrected for the first time as a limited edition, 2 LP set, pressed on 180-gram vinyl. Just 400 copies have been pressed up by the Azucar label, a boutique, vinyl-only label dedicated to releasing limited edition pressings of classic albums from the past 30 years. dog eared was remastered for vinyl and comes in gatefold packaging with printed inner sleeves and a poster containing lyrics and unseen photos from the recording sessions. You may recall Azucar’s vinyl handiwork last year on Ken Stringfellow’s 2001 album Touched, an impressive title on all counts. Expect no less with the Cerveris project.



Incoming: Echo & Bunnymen Live LP; Listen To It on Spotify

UK legends also have U.S. tour dates for July and August.

By Uncle Blurt

Not long ago it was announced that the label Run Out Groove was soliciting input from fans on whether or not to release a live Echo & the Bunnymen album. Looks like the fans voted in the affirmative, and It’s All Live Now will drop June 6 from ROG.

The label specializes in this type of “crowd sourcing” input to decide on titles to release; previously they released an MC5 live album, which sold out, and they currently are polling fans on whether to release the great Dream Syndicate Live at Raj’s show, Golden Smog’s Down by the Old Mainstream, and Howard Tate’s Howard Tate. (Before you ask, yes, your ol’ Uncle voted immediately for the Dream Syndicate record, although all three would be awesome to own on vinyl. Note that the DS version they are pondering is a 2LP set and not the “edited” version that came out on vinyl in Europe in ’89; it will also be on colored vinyl. Both the Smog and Tate records have seen previous vinyl appearances in the States.)

Pressed on 180-gram vinyl (just black, unfortunately) in a numbered limited edition (tip-on sleeve with cardboard stock insert; liner notes by Will Sergeant) of 2,987 copies, it comprises tracks from the April 25, 1985 show in Sweden recorded live for Swedish National Radio—material that has previously seen release on the Crystal Days 1979-1999 CD box set as well as covers of “Paint It, Black,” “Run, Run, Run” and “Friction,” B-sides on the “Bedbugs and Ballyhoo” 12” EP. In addition to those eight tracks, there’s also “Heroin” and “Do It Clean” from the well-known July ’83 Royal Albert Hall concert. Several of the included tracks were also released in 1988 in Japan as the 7-song New Live and Rare CD EP. All in all, we’re talking two Bunnymen classics plus gems by the Modern Lovers, Bob Dylan, the Doors, the Liter, the Stones, Velvet Underground, and Television.

Interestingly, Run Out Groove indicates it has already sold out of its preorder, meaning punters late to the table will have to consult their local independent record retailers… And note that it ain’t cheap, either, particularly for a one-LP set: expect to pay in the $28 to $32 range.

Even more interestingly, It’s All Live Now is already up, in its entirety, on Spotify, so listen away if you have a Spotify account.

Below, also check out a video from a 1987 Swedish show. The Bunnymen kick off a US tour in Philadelphia on July 11 that wraps a month later in Vancouver; tour dates can be viewed HERE.


Anthology Recs Preps ‘70s Australian Folk Rock Scene


Rare 1970’s folk/rock/psyche jams from Australia curated by Mikey Young of Total Control and Keith Abrahamsson of label Mexican Summer. Below, check out video from Megan Sue Hicks.

By Blurt Staff

Follow The Sun compiles twenty cuts dug from dusty bins by Mikey Young (Total Control, Eddy Current Suppression Ring) and Keith Abrahamsson (Founder / Head of A&R at Anthology Recordings and Mexican Summer) surveying the sought after sound of Australia’s lesser — and greater — known moments of ‘70s rock, folk, and their in-between offspring. Follow The Sun filters the sublime and sometimes subversive psychedelic airwaves transmitted around the world from America’s terrestrial platforms during the golden age of gentle, exploratory FM through a distinctly Australian lens. The double LP set drops May 5 via Anthology Recordings, and you can preview some of the material HERE. Below is one of the featured artists, Megan Sue Hicks.

Independent labels and recording studios proliferated across Australia during the late ‘60s and early ‘70s, while major labels simultaneously scoured the furthest reaching corners of the continent to foster new approaches in making music. With both indies and majors ultimately compelled to uncover the almighty single, the fringe was frequently explored for “crossover” sounds. This engendered a creative freedom amongst artists that mirrored the open-ended mood of the times. Anything was possible.

Follow The Sun does not represent those Australian acts who produced a number one single leading to international fame and fortune. Some of the artists on the compilation never even made the local hit parade. But the fact that many of these artists didn’t enjoy chart success is secondary; these artists represent the consciousness of their time. As radio perpetrated pop fodder trodding the middle ground to ensure maximum advertising, the artists on this album chronicled the times in their own unique ways.

Follow the Sun – Dave Douglas
Riverboat – Andy Armstrong
Easy – Mata Hari
First Boy I Loved – Marian Henderson
Spirit Move Within Me – Flock
Hey, Can You Come out and Play – Megan Sue Hicks
Kill My World – Autumn
Knowing That You’re There – Australia
Am I Really Here – Moonlight
Witnessing – Gary Shearston
Wild Horse Plains – Tidewater
Whispering Pines – Shepherd
The Orange Tree – Cathie O’Sullivan
Cement River – Steve Warner
Good Morning – Paul Adolphus
Something Strange – Doug Ashdown
Country Corn – Trevor McNamara
This Must Be The End – Billy Green
Today’s The First Day Of Your Life – Catmando
Goodbye – Simon Jones (LP ONLY)

Track Premiere: Les Discrets “Rue Octavio Mey”


Track culled from new album, out later this month.

By Michael Toland

Though it has connections to infamous French shoegaze/black metal act Alcest, Les Discrets is its own entity. Composer, singer and multi-instrumentalist Fursy Teyssier and singer Audrey Hadorn paint beautiful landscapes out of shimmering guitars, warm synths, languid beats and creamy harmonies, as found on its upcoming LP Prédateurs, due on April 21 via Prophecy Productions. It’s a cliché to play mix ‘n’ match with influences, but consider a blend of Pink Floyd and Massive Attack and you’re swimming in the right part of the ocean. Hear for yourself on the track “Rue Octavio Mey,” which we’re excited to premiere here at BLURT:


Teyssier had this to say about the track: “A song can hardly be as personal and intimate as this one. Translated as “Octavio Mey Street”, the title refers to the street we lived in with Audrey for 8 years in Lyon. A lot happened in our life and this song – which is very romantic – is a declaration of love to the Vieux-Lyon (old town) and to my wife. It is certainly the song on the album that connects the most to the previous works of the band as it has a very naive feeling with a strong melancholic atmosphere. We introduced synths layers which give a very outdated mood from the ’80s and the acoustic drums have been sampled to recreate a drum machine feel with the vibe of an real playing. This song is a good bridge between the old Les Discrets and the new one as even the influences that led to that song (Dominique A, Depeche Mode, Slowdive, etc) are the same ones as I had a few years back.”

Les Discrets - Prédateurs

Les Discrets is playing the main stage at Roadburn this year. More tour dates tba. Also, Teyssier will be featured with an exclusive art exhibition, showing his drawings and art! More here. And check out Prédateurs on April 21 – the preorder info is here.

Photo Credit: Andy Julia


U2 to Appear on New Kendrick Lamar Album?


Magic 8-ball says “dunno.”

By Barbi Martinez

In his recent song “Humble” rapper Kendrick Lamar teased, in a verbal aside, that April 7 would bring a surprise or big news. A lot of fans thought it meant he would be dropping a new album on that date. Now we know that he would simply be announcing a new album. But the good news is that there won’t be a huge wait, as he announced today that pre-orders for the album were now available. As several people quickly pointed out, the album credits with the pre-order details includes a cryptic one: “P. Hewson, D. Evans, A. Clayton & L. Mullen.” Well, that’s not exactly cryptic; everyone knows that would be U2.

So now the mystery becomes: Is this just a songwriting credit required if Lamar samples the Irish band on the album, or will the fab four actually appear on it? Our office pool is betting on the former, but we won’t know for sure until next week.

Incoming: Pre-Dwight Twilley Band 2LP Oister


Transmissions from the dawn of power pop. 2LP collection will arrive with a download card, too.

It’s called Oister 1973-74 and it arrives via Hozac Archival. The legendary 1973-74 ‘Teac Tapes’ from deep inside the Dwight Twilley Band vault have been unleashed, never before available in any format, OISTER was the primary name of the Dwight Twilley and Phil Seymour duo from the time they met in 1967 until the release of their Top 20 debut “hit” single for “I’m On Fire” in 1975. The two “halves” of the Oister formed a whole, and a tight friendship and performing partnership took flight, and with Dwight’s incredible songs in hand, the two were off and running.

Recording at home with one of the first (commercially-available to the public) multi-track Teac home tape machines, the Oister DIY ethic was locked in early, and just exploded with an endless stream of ethereal pop magic, most of which has never been re-recorded by the Dwight Twilley Band, remaining frozen in time. The pair were cranking out an impressive amount of original material and pressing small batches of their own acetate LPs locally in Tulsa to sell to their friends at school, of which, this 2LP collection rounds up 20 of their finest tracks, finally available to the public after over 40 years.

The early, primal years of the Twilley/Seymour Oister-era are sadly undocumented until now, with this 20-track collection, freshly remastered from the original tape for vinyl for the first time anywhere, now on HoZac Archival.

These songs seamlessly bridge those heavenly Everly Brothers harmonies with their beloved Anglo Pop bravado, yet keeping the sound undeniably definitive of early American Power Pop. Ghostly echoes slip through some of the delicate tracks like spirits in the night, while others crank up the juice and just ooze out that real, uncut rock’n roll, framing up their successful next incarnation as the Dwight Twilley Band. Featuring liner notes from their friend and original session engineer, Kent Benjamin, and a crisp mastering job, the Oister collection is the impossible missing link between the Sun Records snarl and the melodic prowess of the British Invasion’s finest songsmiths.

Ordering details here:   The complete story is here:

Early ’90s Band Nuclear Valdez Returns for Record Store Day

N Valdez 1990

Present From The Past incoming from Sinical Records. Watch teaser video, below. Above: the band circa 1990.

By Blurt Staff

Some days the email inbox is pretty moribund. This is not one of those days. Raise your hand if you remember early ‘90s rockers Nuclear Valdez, four Latino musicians from Miami raised in the U.S.—Froilan Sosa, from the Dominican Republic (vocals, guitar, keyboards); Juan Luis Diaz, bass (Cuban); Robert Slade LeMont, drums (Cuban); and Jorge Barcala, lead guitar (Cuban)—and who had a substantial radio and MTV hit, “Summer.” They toured steadily, too, with the likes of Living Colour, Jane’s Addiction, The Smithereens, Ronnie Wood and Bo Diddley, Hoodoo Gurus, and The Mavericks, among others. By ’92, after just two albums, however, they were done.

N Valdez LP

So out of the blue, Nuclear Valdez has an archival release, Present From the Past, to bestow upon all us fans with long memories. Here’s the news, direct from the band:

“We are Nuclear Valdez, the 1989-1992 band with 2 albums on Epic Records, both critically acclaimed. Heavily featured on MTV as well as guests on an early episode of MTV Unplugged (when it was a show hosted by Jules Shear), we toured internationally and earned the support of a solid fan base. Circumstances are such in Rock and Roll that in 1991, the band got caught up in the rush to the Seattle grunge scene and Epic lost interest in the band. Disillusioned, we decided to pack it in, much to the disappointment of our many fans.

“Here we are in 2017 and after many years of requests from our fans, we scoured our archives and put together a vinyl only release (no digital or CD) called “Present From The Past” (think about that for a second…) These are all songs in demo form that never made it on to the two albums we released, but we feel are as good as anything we released at the time. Working with the local Miami label Sinical Records, a label created in partnership with our manager, John Tovar (who fostered the careers of The Mavericks and Marilyn Manson, among others) and it has been accepted as an official Record Store Day release, as featured on the fantastic 10th anniversary roster of titles.”

Check out a teaser video for the album, followed by the “Summer” clip—see you on April 22, gents!

New Saint Etienne Album Coming in June

SE 3


Grab the limited editions and score some S.E. swag. Below, listen to a track from the album.

By Blurt Staff

It’s going to be called Home Counties and it’s by the beloved – and veddy English – band Saint Etienne. The new S.E. album, due June 2 from Heavenly, is already in preorder mode, and if you are familiar with the band’s operating habits, you already know that preordering is the best way to make sure you get whatever limited edition elements being offered.

Indeed, the album will be available in three formats: CD, cassette, and double vinyl LP w/download card. The limited editions come with goodies such as special art and stickers, and there’s also a special bundle edition including all three formats plus an art print signed by the bandmembers. Full details are here at the Saint Etienne store.

The 19 track album is, according to the band, “inspired by our bitter-sweet relationship with the eponymous shires that have always been part of our lives.”

Sarah Cracknell says: “We had so much fun writing for this album, drawing influence from our teenage years growing up in the home counties. Bob, Pete and I led almost parallel lives while I was in Windsor and they were in Surrey, developing our passion for music and London. [Co-producer] Shawn Lee was a joy to work with, he’s a wonderful multi-instrumentalist who seemed to have some kind of telepathy with us and translated our ideas perfectly. The record is quite varied in styles and brings together a little something from all our past albums whilst sounding completely new.”

Bob Stanley adds: “Suburbia’s anonymity is exactly why it’s a source of inspiration. They said it couldn’t happen here – and it didn’t.”

Pete Wiggs concludes: “We took a ride and ran with the dogs.”

Below, listen to album track “Heather” and check out the upcoming tour dates in the UK. The band is also plotting a rare US tour in September and October.

UK Tour Dates:

Fri May 26 Hebden Bridge Trades Club

Sat 27 Oxford Common People Festival

Wed 31 Barcelona Primavera Sound

Fri June 02 London Royal Festival Hall

Sat 03 Cardiff Tramshed

Sun 04 Birmingham Town Hall

Tue 06 Bexhill De La Warr

Thu 08 Newcastle Sage

Fri 09 Edinburgh Queens Hall

Sat 10 Sheffield City Hall Ballroom

Sun 11 Manchester RNMC Concert Hall


Captain Beefheart’s Magic Band to Tour; Unreleased Album Due


Hats off! The spirit Don Van Vliet has re-entered the building. Posthumous album due in July, followed by a full US tour in August.

By Herbert Cohen, Jr.

MOJAVE, CALIF.: It’s like déjà vu all over again! The legendary Captain Beefheart, who passed away in 2010, and whose last foray into the music industry was in 1982, apparently recorded an album with his Magic Band prior to his death – totally out of the public eye, and apparently not seeing the light of day until now. And there’s to be a Magic Band reunion tour in order to belatedly bring this music to the stage.

The tour will have its official unveiling at Bonnaroo in June, and then get
in full gear starting early August and running into mid September. The opening
act is to be P.J. Harvey & John Parish and Parish will also be pulling
double-duty on guitar in the Magic Band due to Gary Lucas’ prior commitments
with his own Gods And Monsters. The other players include John
“Drumbo” French and Michael Traylor on drums, Rockette Morton on
bass, and Denny Waller on guitar, plus an as-yet-unnamed keyboard player.

One very special guest: Tom Waits, who contributes
“backing vocals” (term used loosely) on the tunes “Taiwan in
Tupperware” and “Ming the Merciless’ Chimpanzee.”

The eponymous album is described as “a mixture of folk, rock and
extemporaneous da-da boogie, along with at least one avant-garde Tex-Mex
medley, and a freewheeling cover of Robert Johnson’s country-blues classic
“Me and the Devil Blues.” Sessions were produced by Ry Cooder and featured the Magic Band augmented by some of the same players who appear on
Cooder’s acclaimed 2007 album My Name is Buddy (e.g. Jim Keltner, Mike
Elizondo, Cooder’s son Joachim and, on the aforementioned Tex-Mex number,
accordionist Flaco Jimenez). Captain Beefheart will be released by Nonesuch (also Cooder’s current label) on July 5 in the UK and July 6 in the US.

Beefheart (a/k/a Don Van Vliet), in typically left-field manner, didn’t pursue the project via the usual channels (his official MySpace page,, etc.) but via a series of private conversations at the 2009 Annual Van Vliet Family picnic, located at a state park near his home in Mojave, Calif. The estate of longtime Beefheart manager Herb Cohen this week in an official statement noted, “With Mr. Cohen’s longtime friend Don’s unreleased music now seeing release, the musical world will finally get a firsthand taste of the quality rock ‘n’ roll that it has been sorely missing for the past quarter-century.” (Note: Cohen recently passed away, sadly.)

At the time, the only clues that Beefheart was indeed ready to return to recording (and possibly touring) was at the picnic during a toast, when the notoriously curmudgeonly performer snorted, ripped what appeared to be a lyric sheet in half, and said, “‘The higher you go, the rarer the vegetation.’ Salvador Dali said that, although I don’t know where he got it. I think I’ve read it in a classic of one sort or another. Or older classic. What do you think about
that? Am I right or wrong? Although there really is no right or wrong. The truth has no patterns.”

Now we know that Beefheart subsequently filmed a video in which he discussed the record, the
tour and his artistry in general. Just this morning, it was posted in low-key fashion to YouTube –
you can view it HERE – although in typical Beefheart fashion, his comments are
maddeningly elliptical. He’s still got a bit of the prankster to him too: the
interview is interspersed with random archival clips and earlier news reports,
so you have to pay very careful attention to the entire video.

For those not in the know of truth and its patterns, Beefheart, born in 1941
in Glendale, Calif., emerged in the early ‘60s as a
protégé of Frank Zappa. His 1969 album Trout Mask Replica regularly figures on Top 100 Albums of All Time lists, and he also exerted a
huge influence among the punk and new wave bands of the late ‘70s and early
‘80s, who embraced his final trifecta of albums-1978’s Shiny Beast,
1980’s Doc at the Radar Station and 1982’s Ice Cream for Crow as benchmarks of DIY bloody-minded artistic inventiveness.

According to the Wikipedia Beefheart entry, “Since the end of his musical career around 1982, Van Vliet has made few public appearances, preferring a quiet life in his
California home where he has concentrated on a career in painting. His interest
in art dates back to a childhood talent for sculpting and his work-employing
what has been surmised as a ‘neo-primitive abstract-expressionist aesthetic,’
has received international recognition. Several of Van Vliet’s former band
members recently reformed as a group, and toured as The Magic Band from 2003 to

Fun fact: in recent years, P.J. Harvey and Beefheart somehow struck
up a correspondence and established a kind of confidante-mentor relationship.
There’s no official word from either artist’s camp whether or not this had
anything to do with the good Captain’s re-emergence, but certainly Harvey’s encouragement
and support didn’t hurt. Having her and Parish on the tour, then, is a logical
and laudable strategy. Kindred spirits, all.

Meanwhile, Precision Made, a newly-formed imprint of Handmade, which itself
is an imprint of Rhino Records, will be issuing a limited-to-5000-copies
Beefheart box set
, provisionally titled Flight of the Blimp.
The five-disc archival collection will contain rarities, outtakes, and live material
culled from the artist’s Straight/Reprise/Warner Brothers years and reportedly
does not overlap with the Revenant label’s 1999 Grow Fins rarities
box. It’s set for a late July or early August release, full details tba.


Captain Beefheart’s Magic Band 2017 Tour Dates:

06-9 Manchester TN – Bonnaroo Music & Arts Festival,
08-06 George, WA – The Gorge (Sasquatch! Festival)
08-07 Vancouver, British Columbia – Orpheum
08-08 Vancouver, British Columbia – Orpheum
08-10 Portland, OR – Keller Auditorium
08-12 Berkeley, CA – Greek Theatre
08-15 Los Angeles, CA – The Greek Theatre
08-16 Los Angeles, CA – The Greek Theatre
08-17 Los Angeles, CA – The Greek Theatre
08-18 Los Angeles, CA – The Greek Theatre
08-19 Phoenix, AZ – Dodge Theatre
08-22 Denver, CO – Red Rocks
08-23 Kansas City, MO – Starlight Theater
08-24 St. Louis, MO – Fabulous Fox Theater
08-26 Minneapolis, MN – Orpheum Theater
08-27 Minneapolis, MN – Orpheum Theater
08-29 Chicago, IL – Auditorium Theater
08-30 Chicago, IL – Auditorium Theater
08-31 Chicago, IL – Auditorium Theater
09-08 Milwaukee, WI – Eagles Ballroom
09-09 Indianapolis, IN – Murat Theatre
09-10 Columbus, OH – Ohio Theatre
09-12 Cincinnati, OH – Music Hall
09-13 Louisville, KY – Palace Theatre
09-14 Cleveland, OH – Playhouse Square Center State Theatre
09-16 Toronto, Ontario – Molson Amphitheatre
09-19 Providence, RI – Performing Arts Center
09-20 Boston, MA – Opera House
09-21 Boston, MA – Opera House
09-24 New York, NY – Keyspan Park
09-27 Columbia, MO – Merriweather Post Pavilion
09-28 Atlantic City, NJ – House of Blue

[Photo Credit: A.P. Rilfül/RETNA Images]