Monthly Archives: July 2010

MP3s: Classic Arab Strap Deluxe Reissues

 

First two albums
expanded as double discs featuring a wealth of BBC material.

 

By Blurt Staff

 

On August
17 Chemikal Underground will reissue Arab Strap’s seminal first two albums “The Week Never Starts Round Here” and “Philophobia”. Not only do both albums
include a bonus disk of previously unreleased BBC material, but the reissues
also mark the first time Chemikal Underground have been able to offer these
albums together digitally.  

 

Full details on them,
courtesy the label, appears below. Meanwhile, check out a couple of free MP3s
from the Strap:

 

The First Big Weekend from “The Week Never Starts Round Here”

 

Packs Of Three from “Philophobia”

 

But wait, there’s more – how about an MP3 of an unreleased song too! This track is not on the reissues and has only appeared before on the Chemikal Underground box set:

      Daughters of Darkness

 

 

Release details:

 

After gate-crashing the
Britpop party in 1996 with ‘The First Big Weekend’, Arab Strap went on to
produce eight albums (six of them on Chemikal Underground) over a period of 10
years.  Reflecting now, over a dozen years after these first two albums were
released, we can start to appreciate just how influential Moffat and
Middleton’s output actually was.  Favourites of Conor Oberst, Underworld
and Helena Christiansen; they are regularly cited as primary influences for
bands like The Twilight Sad and, in Aidan Moffat’s lyrics, they shone a light
under the rock of sexual politics with so much truth, honesty and insight that,
had it not been for the fact they were so funny and, well…accurate all the
time, we would have been barely able to look.

 

Acquaintances on the Falkirk scene, Aidan and Malcolm became
friends in 1995. They soon began making music together, telling twisted tales
of messy sexual encounters, shit jobs, titanic drinking sessions and the
twisted chemistries of human relationships. They called themselves Arab Strap
after a sex toy Aidan spotted in a porn mag.  Signing to Chemikal
Underground, their debut single, The First Big Weekend, would become a
cult classic: a tale of Aidan and Malcolm’s adventures on the weekend Scotland
were knocked out of Euro ’96, in September of that year.  In the years
that followed, we were given countless glimpses into the intimately private
lives of our two protagonists, whether they were pondering the risk of STDs (on
Philophobia‘s Packs Of Three) or wondering if they’d get to shag
that friend of the cellist from Belle & Sebastian (the Peel Session of I
Saw You
on The Week Never Starts Round Here’s bonus disc).

 

These CD reissues come on the back of
Arab Strap’s luxuriously packaged box set, ‘Scenes of a Sexual Nature’, which
celebrated in exhaustive detail the band’s recorded output from 1996 – 1998 and
in particular their first two groundbreaking albums: their debut ‘The Week
Never Starts Round Here’ (1996) and its spectacular follow-up ‘Philophobia’
(1998).  The CD reissues of these albums now find them respectively
bolstered to a double CD format, with each album including a BBC Peel Session
and BBC recording of two landmark live performances.  Revisiting these
albums now reminds us why Arab Strap were one of music’s most precious
commodities: a fearlessly original band who were strangers to compromise.

 

“No one really writes honest, hateful love songs. The kids never hear it like they should hear it –
they should know about the farting, the fighting and the fucking, the pain and
the pleasure.”
AIDAN MOFFAT

 

  • 1996 debut ‘The Week
    Never Starts Round Here’ with updated artwork.
  • 1998 album ‘Philophobia’
    with enhanced lyric artwork.
  • Each CD now has a bonus
    CD of BBC material featuring:

    • Arab Strap’s first two Peel Sessions
      (from March 1997 & March 1998) the first of which features guest
      appearances from members of Belle & Sebastian.
    • Arab Strap’s first ever gig in its
      entirety, recorded for the Peel Show at King Tuts Wah Wah Hut (October 1996).
    • Arab Strap’s six track live set from
      T in the Park 1998

 

Track
Listing

 

 

“The Week Never Starts Round Here” (Original)

CD1                                                                                       
       CD2

1. Coming Down

PEEL SESSION 1 (March 1997)

2. The Clearing

1. The Smell Of Outdoor Cooking

3. Driving

2. Soaps

4. Gourmet

3. I Saw You

5. I Work In A Saloon

4. The First Big Peel Thing

6. Wasting

King Tut’s Wah Wah Hut (Oct ’96)

7. General Plea To A Girlfriend

5. Intro

8. The First Big Weekend

6. General Plea To A Girlfriend

9. Kate Moss

7. The Clearing

10. Little Girls

8. Kate Moss

11. Phone Me Tonight

9. Gilded

12. Blood

10. Driving

13. Deeper

11. I Work In A Saloon

 

12. Phone Me Tonight

 

13. Blood

 

14. The First Big Weekend

 

 

“Philophobia (Original Double Album)

CD1                                                                                       
      CD2

1. Packs Of Three

PEEL SESSION 2 (March 1998)

2. Soaps

1. Packs Of Three

3. Here We Go

2. Piglet

4. New Birds

3. The Night Before The Funeral

5. One Day, After School

4. Blood

6. Islands

T In The park (1998)

7. The Night Before The Funeral

5. Girls Of Summer

8. Not Quite A Yes

6. New Birds

9. Piglet

7. Here We Go

10. Afterwards

8. Soaps

11. My Favourite Muse

9. Afterwards

12. I Would’ve Liked Me A Lot Last Night

10. I Would’ve Liked Me A Lot Last Night

13. The First Time You’re Unfaithful

 

 

 

 

Shearwater-Xiu Xiu Supergroup Summit

 

 

With a songtitle like “Rendering the Juggalos”
you know it’s gotta be a good record…

 

By Blurt Staff

 

Blue Water White
Death is the brainchild of Jamie Stewart of (Xiu Xiu) and Jonathan Meiburg (Shearwater; ex-Okkervil River).
For their first collaboration Stewart and Meiburg, longtime fans of each
other’s music, adopted the name of a 1971 documentary that follows a team of
increasingly reckless explorers on a shark-finding quest to Australia’s
aptly-named Dangerous Reef. As Blue Water White Death, the two conjure music that
is dually ominous and serene, like the underwater world of the ocean, which is
fitting considering the band’s namesake plunges boldly into new sonic
territories.

 

On first listen Blue Water White Death may
sound like a pair of reclusive eccentrics making music in a derelict mansion,
perilously balancing beauty and horror with the absurd. Soon, it becomes
apparent that there are three distinct modes at play – clean, even tones and
the nonchalant picking of acoustic guitars that recall life on the open sea,
notes and words paced like breaststrokes on the journey to the depths and
finally, jarring mysterious noises meshed with vocals that echo the isolated,
garbled quantities of the inside of a diver’s mask.

 

Despite Blue Water White Death’s complex, cohesive feel, Meiburg and Stewart came to its recording sessions
empty handed, writing and recording the entire album in a week’s time. The
production, handled by John Congleton (St.
Vincent, Modest Mouse, The Roots, Black
Mountain) is pristine and
crisp, keeping the album accessible even in its darkest moments.

 

Blue Water White Death is due out
October 12th on Graveface Records.

 

Tracklisting:

 

1. This is the Scrunchyface of My Dreams

2. Song for the Greater Jihad

3. Grunt Tube

4. Nerd Future

5. The End of Sex

6. Death for Christmas

7. Gall

8. Rendering the Juggalos

 

 

Check ‘em out online already at http://bluewaterwhitedeath.com

 

 

 

 

Marnie Stern Preps New Album

 

Self-titled album due Oct. 5 on
Kill Rock Stars.

 

By
Blurt Staff

 

Marnie Stern the album mirrors Marnie Stern, the woman. Birthed during
a challenging period in her life, the self-titled Marnie Stern is a compendium of life stories both bitter and
sweet.

From ballads to her signature pop
guitar-tapping style, Stern and long-time co-conspirator Zach Hill have churned
out (for lack of a better word) an enormous album that will further cement Stern as a rising star in today’s
progressive music landscape. Stern also enlists the bass talents of psych-rock
Canadian musician Matthew Flegel (of the band Women & boyfriend of Stern)
and up-and-coming mixer Lars Stalfors (Mars Volta, Funeral Party) resulting in
Stern stepping up her sonic game and revealing a mature and more focused side
of herself. “I wanted to pay more attention to the delicate and subtly
layered spaces in between sound and just make things louder and fuller where I
didn’t on my last 2 records.” When
asked to sum her album up she maintains, “It’s direct and honest and real.
I’m no longer taking cover under guitar lines or yelping vocals.”

Marnie’s third and latest LP for Kill
Rock Stars, while clearly containing her strongest songs ever, had its
fumbles on the way to the finish line. She laughs when describing how the
initial recording files were lost and ultimately retrieved through a series of
trials-by-fire (upon which many a cigarette was lit) and in one complete
statement, she quips:  “Holy
Doodle!”

Clearly, Marnie Stern’s life and music are not easily separated; which is why Marnie Stern the record and Marnie
Stern the person have REAL personality. Upon hearing her last two albums, In Advance of the Broken Arm (2007) and
This Is It And I Am It And You Are
It And So Is That And He Is It And She Is It And It Is It And That Is That
(2008),
it’s quite evident that Stern lives in between the lines of
chaos and harmony. While Stern’s previous efforts garnered much critical
acclaim, highlighting Stern’s dexterity with both guitar playing and
songwriting, she still remains the underdog of contemporary celebrated female
musicians.

Three albums into her career, this certainly leaves her exposed. Yet, within
that exposure, we find something more relatable and familiar to us all;
vulnerability and resilience.

 

Tracklisting:

01.  For Ash

02.  Nothing Left

03.  Transparency is the New
Mystery

04.  Risky Biz

05.  Female Guitar Players
are the New Black

06.  Gimme

07.  Cinco De Mayo

08.  Building a Body

09.  Her Confidence

10.  The Things You Notice

 

 

 

2010 Mercury Prize Shortlist Announced

 

By Blurt Staff

 

Dizzee Rascal, The xx,
Wild Beasts, Laura Marling, Paul Weller and more.

 

Er, technically that’s the BARCLAYCARD Mercury Prize. (Personally we’d vote for calling it the Jiffy Lube Verizon Dominos Mercury
Prize, but hey…) Anyway, the usual cadre of UK critics and industry tastemakers
have announced this year’s raft of nominees and you can see the full list
below. Isn’t it interesting that Speech Debelle won last year and then was
promptly never heard from again? Follow the above link for more details on the annual award.

 

Biffy Clyro: Only
Revolutions

Corinne Bailey Rae: The Sea
Dizzee Rascal: Tongue N’ Cheek
Foals: Total Life Forever
I Am Kloot: Sky at Night
Kit Downes Trio: Golden
Laura Marling: I Speak Because I Can
Mumford & Sons: Sigh No More
Paul Weller: Wake Up the Nation
The xx: The xx
Villagers: Becoming a Jackal
Wild Beasts: Two Dancers

 

 

 

 

 

Rock Your Blurt Shurt for Blurt!

 

By Blurt Staff

Hey ladies – Grace Potter (above), Danielle Wald, Juliette Commagere and Sasha Grey all know how to rock a Blurt shurt – how about you? Send us a pic of you kitted out in one of our fine tees and we’ll run ’em! And guys, don’t be shy – we might even run your pics too…

 

 

 

 

 

 

Virgin Mobile FreeFest Tickets on Sat.

 

M.I.A., LCD
Soundsystem, Pavement, Ludacris, T.I., Joan Jett, Thievery Corporation, Chromeo,
Jimmy Eat World, Yeasayer, Matt and Kim, Sleigh Bells, Neon Indian,
Modeselektor, Die Antwoord – Sept. 25, be there.

 

By Blurt Staff

 

The annual Virgin Mobile Festival has been a fave of ours
for some time now, not the least of the reasons being its proximity to the
BLURT penthouse suite in Silver Spring,
MD. A couple of years ago it was
held at Baltimore’s Pimlico Race Course, just a short limo ride away, featuring
Nine Inch Nails, Kanye West, Lil Wayne, Gogol Bordello, Cat Power, Iggy &
the Stooges and more (you can read our review, w/exclusive photos, here).

 

Then last year for the fourth installment it was moved even
closer, to Merriweather Post Pavilion in Columbia,
and just to mess with everybody’s head, founder Richard Branson made it a free
event, rechristening it the Virgin Mobile FreeFest and distributing over 35,000
tickets. Revelers took in Blink-198, Weezer, Franz Ferdinand, Public Enemy and
others (check our review of the 2009 festival here).

 

So once again, the Virgin festival is back, taking place
Sept. 25 at the Post Pavilion again, and yes, it’s free again. The Baltimore Sun reports that
among the acts performing on two stages and a dance area will be M.I.A., LCD
Soundsystem, Pavement, Ludacris, T.I., Joan Jett, Thievery Corporation, Chromeo,
Jimmy Eat World, Yeasayer, Matt and Kim, Sleigh Bells, Neon Indian,
Modeselektor and Die Antwoord.

 

More than 30,000 tickets will be given away starting 10 a.m.
Saturday (July 24) at Ticketfly.
Don’t shuffle around thinking about it; last year’s free passes apparently were
gone in a half hour. If you’re a previous attendee you can plan on getting an
email or text invite that will allow you to apply for a ticket early, on
Friday.

 

Intriguingly, however, a “limited number” of reserved seats
located on the pavilion will be sold – those will be priced at $125, and part
of the proceeds will go to an unspecified charity.

 

 

 

 

 

Leonard Cohen ’72 Tour Film Hits DVD

Tony Palmer’s 1972 European tour
film finally available to consumers in August. Watch a preview clip, below.

 

By Blurt Staff

 

MVD Visual is bringing a rare concert film to DVD on August
31. Originally
made in 1972 and directed by celebrated British filmmaker Tony Palmer, “Bird On A Wire
follows Leonard Cohen on his
1972 European tour and contains 17 classic performances, 4 poems and tour
footage. As part of the deal, the digipak includes a reproduction of the ’72 film
poster, pictured below.

 

 

 

After
massive re-editing, although not by Palmer, it was released in 1974, had a very
limited run and then ‘disappeared’. Like many films from the era it was thought
that the original version had been lost, but in 2009, 294 rolls of film were
discovered containing much of the original rushes and soundtrack of the 1972
film. Palmer was able to restore
much of this footage and it is now available on DVD for the first time.

 

Palmer,
a veteran of films on the Beatles, Cream, Hendrix and Zappa, picks up the
story:

 

“When, in 2009, 294 cans of film were
discovered in a warehouse in Hollywood,
in rusted up cans that sometimes had to be hammered open, and these cans were
shipped to me by, of all people, Frank Zappa’s manager, I believed at first
that nothing could be salvaged. The cans did not contain the negative (still
lost); some of the prints were in black & white; and much of it had been
cut to pieces and/or scratched beyond use. But when I finally opened one box
and found most of the original sound dubbing tracks, I knew we had a hope of
putting the jigsaw back together.

 

“So now, taking full advantage of the
latest digital technology, this is what we have done, piece by piece, slowly
and painstakingly. It has taken months and months, and probably has cost more
than the original filming, and although it’s by no means perfect, it’s very
close now to the original.

 

“Now, looking back after 38 years, my
admiration for Cohen as a poet, a singer and as a man, remains undiminished. The
original film was made with love, and I hope that quality once again shines
through the restored film.”

 

 

 

Watch: New Shannon Stephens Video

 

“The Most Delicious Hours” is aptly titled…

By Blurt Staff

Check out the awesome new video from songstress Shannon Stephens – titled “The Most Delicious Hours” it comes from her new album The Breadwinner (Asthmatic Kitty Records). It’s directed by Glan Hwang and in addition to Stephens it features Jesse James Pattison and Elena Hansen.

 

Shannon Stephens – The Most Delicious Hours from Asthmatic Kitty on Vimeo.

Latest News on Vampire Weekend Lawsuit

 

Statements –
technically, non-statements – issued by both label and band. Meanwhile, TMZ
still has not posted a current photo of the gal.

 

By Fred Mills

 

A couple of days ago we posted the news of a lawsuit filed in
L.A. against Vampire Weekend by a lady called Kirsten Kennis – she’s the
circa-1983 gal who appears on the front sleeve of the band’s recent Contra album, and among her $2 million
claim is that the band did not secure the necessary legal releases to use the
photo.

 

Read the details on all that, plus how it’s an uncanny flashback to that
kick-ass lawsuit in the early ‘90s involving grunge band Tad and Sub Pop
Records, right here.

 

This morning Pitchfork is reporting that the band’s label,
XL, has issued a statement about the lawsuit:

 

“As is standard
practice, Vampire Weekend and XL Recordings licensed the rights to use the
photo on the cover of Contra
pursuant to a license agreement that contains representations and warranties
authorizing this use of the photo. Now that a lawsuit has been filed, we look
forward to having the matter resolved in Court. We will be filing our response
after we have had an opportunity to review the allegations. Consistent with our
practice, we will not be commenting further about the pending litigation at
this time.”

 

Everyone “looks forward” to resolving things in Court, yes.
Meanwhile, over in England,
VW frontman Ezra Koenig offered a somewhat guarded statement to the NME,
saying:

 

“I think I can
speak for all of us and say this is the first time any of us have ever been
sued, so we’re still learning how it works. There’s so many things we could say
about it but given we have no experience of it we’re just keeping conversations
to a journal for now, which is a little frustrating….There’s nothing we can say
about it. We’re not trying to be mysterious. I imagine in the next few months
there’ll be plenty to talk about. Given it’s our first time we just want to do
it properly.”

 

Getting sued for two million bucks for the first time can be
tough, Ezra, indeed. It’ll be easier next time around, however.

 

 

 

AZ-boycott Sound Strike Holds Press Conf.

 

Happening Wednesday at
11 am. RATM and Oberst concert to follow on Friday night.

 

By Blurt Staff

 

Following up on our previous coverage of The Sound Strike
the collective spearheaded by Rage Against The Machine’s Zack de la Rocha to
raise awareness about, and prompt boycotts agains, Arizona and ita looming
immigration law – we’ve gotten word that tomorrow, Wednesday July 21st,
at 11am PST, Sound Strike will be holding a press conference about the issue as
well as the July 23 benefit concert featuring Rage and Conor Oberst. On hand
will be de la Rocha, Tom Morello and Oberst. Here are the details, courtesy
Sound Strike:

 

 

What:
The Sound Strike Press Conference

When: Wednesday July 21st 11am

Where: Hollywood Palladium
6215 W. Sunset Blvd. Hollywood, CA

Who:
Zack de la Rocha, Vocalist Rage Against the Machine
Tom Morello, Guitarist Rage Against the Machine
Conor Oberst, Vocalist Mystic Valley Band
Dolores Huerta, Co-Founder United Farm Workers of America

SOUNDSTRIKE ARTISTS RAGE AGAINST THE
MACHINE, CONOR OBERST AND THE MYSTIC VALLEY BAND HOLD PRESS CONFERENCE
REGARDING BENEFIT CONCERT TO SUPPORT ORGANIZATIONS FIGHTING ARIZONA
ANTI-IMMIGRANT LAW SB 1070.
 

LOS ANGELES, CA July 21: Rage Against the Machine will play their first concert
in Los Angeles in 10 years at the Hollywood
Palladium Friday with all proceeds going to benefit Arizona organizations fighting SB 1070.
Oberst and The Mystic Valley Band will also perform.

Benefit concert performers will be joined by long time civil and immigrant
rights activists Tom Seanz, President of the Mexican American Legal Defense and
Education Fund (MALDEF), Dolores Huerta, Co-Founder of the United Farm Workers
(UFW), Arizona
grass roots leader Sal Reza of Puente, and other community leaders.

This will be the Sound Strike’s first
official press conference.

The Sound Strike artist boycott of Arizona
has gained international attention and support. Hundreds of artists have
committed to exercise their conscious and their collective power to both
reverse the punitive, discriminatory and misguided Arizona law as well as to help lead a more
productive national debate on diversity and unity.

Sound Strike participant and Rage vocalist Zack de la Rocha said, “SB 1070
if enacted would legalize racial profiling in Arizona. This law runs counter to music’s
essential purpose, which is to unite people and not divide them. We want to
thank the artists of conscious that have joined the Sound Strike throughout the
world who use their role as artists to stand for civil and human rights.”

About The Sound Strike:
The mission of The Sound Strike is a call for Artist’s to Boycott Arizona due to the
passage the Sb1070 law. For more information please visit our website www.thesoundstrike.net

ARTISTS THAT HAVE JOINED THE SOUND STRIKE
(PARTIAL LIST).

Nine Inch Nails · Chris Rock · Maroon 5 · Gogol Bordello · My Morning Jacket ·
Ben Harper · Ry Cooder · Pitbull · Steve Earle · Billy Bragg · Mia · Sweet
Honey And The Rock · Anti-Flag · Throwing Muses · State Radio · Aztlan
Underground · Dj Spooky…And Have Joined:
Cypress Hill · Juanes · Conor Oberst · Los Tigres Del Norte · Rage Against The
Machine · Cafe Tacvba · Michael Moore · Kanye West · Calle 13 · Joe Satriani ·
Serj Tankian · Rise Against · Ozomatli · Sabertooth Tiger · Massive Attack ·
One Day As A Lion · Street Sweeper Social Club · Spank Rock · Sonic Youth ·
Tenacious D · The Coup