LETTERS FROM THE ROAD: Jim Boggia

Serving up another edition of LETTERS FROM THE ROAD, our guest post series where we invite musicians we are utterly nuts about to take over and write whatever they like. 2 rules: it has to be in the form of a letter, it has to have something to do with music. This week’s LETTERS FROM THE ROAD guest author is a friend and brilliant singer-songwriter who we adore, Jim Boggia:

Dear Taylor Swift,

We need to talk.

I want you to know up front that I really tried to find someone else to write to – someone else who could ease my pain, someone else who might not make me feel so bitter. But I am bitter, Taylor – bitter about things you’re probably too young to understand and that you probably, to be fair, are not so much responsible for as you are representative of.

You know where this is going. Yes, it’s the Grammy thing. That performance. You can’t sing. You took home four Grammys . . . . and you can’t sing. There’s a moment in the first chorus of ‘Rhiannon’ where you can see Stevie Nicks is visibly cringing at how flat you are singing. Let me make sure you understand this, because you’re young and this might be lost on you. This is not Stevie WONDER we’re talking about cringing at your performance, but Stevie NICKS, a woman who owes her career to sleeping with a genius guitar freak/audio architect. Because you see, that’s how it was done in the old days and we didn’t necessarily approve of it, but it got us laid, so ok – let the girl who likes to pretend she’s a witch sing a couple of songs. But even she still had to hit the notes.

How can I make you understand?

A long time ago, we had a group called the Beatles. You might have heard of them as they are now a video game. Anyway, we loved them so much that we even liked to hear their drummer, Ringo, sing one song an album, even though he couldn’t really quite hit the notes. But, the thing is Taylor, he was the DRUMMER. And we really loved the Beatles. And everything else they did was so groundbreakingly amazing. And it was only one song an album.

When you don’t hit the notes it’s different, and not in a good way. I know, I know, on your records, it sounds like you CAN hit the notes []

 

A Triple-A radio programming veteran, Kate has served as Music Director of the Loft at XM, Midday Host at WYEP, Evening Host at both WNCS and WUIN, as well as Content Supervisor for Pump Audio. Currently, she’s the CEO of Outlandos Music, a new-music discovery service for grown-ups. Kate has been nationally recognized for her ardent presentation of music and her ability to champion talented, compelling artists.

Leave a Reply